Professional Gambler Answers: How to Become a Casino Pro?

are there really professional gamblers

are there really professional gamblers - win

I wrote a long reply on why gambling, and loot boxes in particular, are bad...

So, inside some other post, I was asked why gambling is bad... My reply ended up being really detailed, so I'll promote it to a post of its own (just copy-pasting it here; no new words)... [Note: list of 3 points about loot boxes at the end...]
(I work at a company that sells gambling services... I see how the sausage is made...)
By the way, I love PoE and GGG. Still, loot boxes are bad.
I personally get to see the statistics side of oddsmaking. It's always about suckering you out of your money, because by definition all you are doing is paying more money as the price of getting less money (on average), but you also need to feel like you have a chance at getting the upper hand, even though in the long run you don't.
For example, sometimes, if you're really "good" at betting, you just end up working for the oddsmaker on a bad deal. It's really hard for them sometimes to get the odds perfectly right (although the profit margin still takes care of 99.9% of punters). So, if you're a professional gambler making a regular profit, what's basically happening is that you are investing an enormous amount of time and expertise to try and make tiny profits at the margins, and the bookmaker monitors your activity and learns about the market from you, at what ends up being a lower cost than if they hired experts to give them the same info on a salary. Plus you constantly run high risks! Which is why my company is full of ex-gamblers who were able to make a profit for a while, and intelligent enough to realise that they were still getting a bad deal, and come to the company and offer their services directly. (For another way gambling companies guarantee their own profits by passing on the risk to gamblers, research "balancing the books": yes, a professional gambler could make some profits this way, but if you're possibly making profits by taking on a risk that a large gambling corporation wants to get rid of, do you really think you're getting a good deal, especially considering how much time and expertise you sink into the activity? EDIT: more info)
The only way I know of to make a consistent and considerable profit off gambling is when a pro gambler is allowed to make a profit off other gamblers, in a move that a company makes to increase total amounts played. So, for one person to profit, many others are being seriously scammed, and the company is safely skimming its percentages off the top.
There are many different ways a gambling company presents bad deals to you, hoping that your intuition misfires about one of them and you decide to throw away your money. Examples... There are single bets, of course. But then there are also combinations, and these screw with your intuition--you can convince yourself based on a narrative (e.g. team 1 wins first half, team 2 comes back in second half), where in fact the actual hard cold odds are against you. There is "cash out" where you take a fraction of a likely-seeming win early (but at a loss), which of course simply taxes you for your risk aversion. There are "systems", creating more and more complex bets, until you convince yourself you've set up the perfect deal, and yet the company's profit margin keeps growing the more complex you make it.
Anyway, those are the parts I work on as a software guy. (By the way, this isn't the worst thing in the world, it's not as bad, as, say, the military industry or the military itself, or say religions or banks, because at some level gambling is voluntary. And making gambling illegal is a terrible idea-we should fight it through education, not prohibition. Still, I only work there because I'm currently a completely non-creative software grunt (and currently satisfied with that). If I get to the point of pursuing higher-level jobs, I'll look elsewhere.)
But the most nefarious part of all is the psychological work they pull on you. That's not my area of expertise, so if you want it explained you need to look elsewhere (recommended book: Thinking Fast and Slow--it's not about gambling, it's about psychology). They are constantly doing things to 1) give you false hope and 2) artificially trigger some pleasure response in you.
E.g. most people are naturally risk averse and loss averse, e.g. losing $10 brings more pain than winning $10 brings pleasure. In reality, a gamble is about paying, say, $10 to win an average of, say, $9, so that's a terrible and painful deal. In addition to all the advertising and bright colours and encouraging sounds and making you read success stories and all the other psychological manipulations, they can also straight up befuddle you with numbers. So, losing $10 brings more pain than winning $10 brings pleasure, but what if you pay $10 but you're not really at a risk of losing that much, because on average you win $9 back, so you're only really risking a single $, and yet if you get lucky you won't win a mere $10 but millions? Suddenly that sounds good, right? Risk $1 to win $10000000? Of course not: you're still risking $10 and taking $1 losses on average each time you play, and the high rewards are vanishingly rare and built into that average.
That's it about gambling for money. On loot boxes I'm no expert, but, beyond the basic problems (encouraging addiction, exploiting minors who beg money from parents and don't understand how they're throwing it away, generating gambling "pleasure" while giving you "bits" instead of any real value, etc), I can point out a couple of extra scummy aspects:
  1. They can say "the box costs 30 points but all the possible rewards are worth at least 50, the average reward is worth 70 and the best is worth 400"... really??? Those prices are completely arbitrary... Who says the footprints are "worth" 50 or some random hideout decoration is "worth" 200? Talking about average microtransaction point values in a loot box is completely misleading.
  2. Either you (a) lose on the statistics of getting complete sets or you lose on (b) being psychologically manipulated into buying extra stuff you didn't actually want so much (or (c) you just lose by getting useless stuff). Let's say you decide to pick up a couple of boxes and see what you get before buying more stuff. You might just get useless stuff, of course (case c). But what if you get the body armour or wings? Now you might say "I'll get more boxes to complete the set". But the chances of getting any one part of a set are not anywhere near as bad as your chances of completing a set (like map lab trials, but much worse because loot boxes contain many more items), so you are getting totally fleeced (case a). Alternatively you could go "oh look, I got x in the box, I'll buy matching items y and z from the shop later" so you think you got x cheap and y and z at normal prices. But you are being manipulated into buying y and z. Would you really have bought x and y and z from the shop if there had been no loot box? Only rarely. The rest of the time you are overspending (case b).
  3. Loot box gifts are another scummy behaviour, considering people don't have good intuitions about statistics. Most of us get bad results from the gifted boxes, but some will get lucky. Those of us who are already gambling on loot boxes won't be affected by the outcome of a few extra boxes. Those who wouldn't ever buy them normally, and get bad results, who cares. But those who wouldn't normally buy them but get lucky a few times in a row might decide it's a good deal after all. So, it's manipulating us psychologically in a way that is statistically designed to fail at no cost most times and succeed sometimes, which makes money. (While also giving everybody holiday presents or race prizes, making the company appear generous.)
submitted by sesquipedalias to pathofexile [link] [comments]

$700,000 Bet on Fintech - BFT

$700,000 Bet on Fintech - BFT
Alright Degenerates- I posted a small little snippet a day or so ago about BFT. I wanted to do a bit of DD on BFT but also wanted to highlight something that was brought to my attention by a degenerate gambler. Lastly, I wanted to compile some good little snippets that have been put together by some other members as well as from the investor presentation.
Before reading further please understand the major Risks.
  • This is SPAC with ~10.00 NAV, if the deal falls through it could drop to 10.00 USD
  • The warrants could be very lucrative but they can be called and if a deal fails to materialize, these can become worthless.
  • If you're ok with the above risks, continue reading.
Keep in mind that this merger is not complete, but the terms of the deal have been provided to investors and we will be able to either vote yes for the deal or vote no and redeem our shares in BFT for 10.00 cash. So there is downside to this play should the vote not go through or should the two entities terminate the agreement. Right now the downside is ~3 dollars per share according to the close price from today.

MY POSITIONS - Mostly PRPL, PSTH and BFT/BFT.W


https://preview.redd.it/ygrfo9vp0b461.jpg?width=1065&format=pjpg&auto=webp&s=ccd5cd4846d0cdcd6f1ed0e7a37548399a5cf461
https://preview.redd.it/fd3o99vp0b461.jpg?width=1072&format=pjpg&auto=webp&s=96faf02b077fc060c6025bbf7976b54edc6db493


The Customers and MOAT

  • Deep Customer Base with deep ties to gambling/betting industry with Deep penetration in Europe and growing customer bases around the world. Gambling is a tricky business and regulated differently than other industries. Many big players have avoided the industry and Paysafe has a great reputation and has become one of the early movers in the industry. The following are some notable customers.
https://preview.redd.it/0bhbpnvr0b461.jpg?width=473&format=pjpg&auto=webp&s=57ec71dfedd8c6eb1d604282021340fbd8d39025
https://preview.redd.it/cno03rvr0b461.jpg?width=285&format=pjpg&auto=webp&s=4281b8e0db4783b7b4b6cce74f62f0694bdbb008

----------------------------------------------------------------------------------------------------------------------------------------------------- I actually know Paysafe and the usage quite well.
PayPal has many restrictions in Europe regarding iGaming , so does Square.
This is a big play on iGaming for those that aren’t aware.
I was a mid- high stakes online poker player through the 2010-2018. Played a variety of sites. : iPoker; PokerStars, Paddy, MicroGaming, 888, Party. Why so many sites? Because I was always on lookout for where the action was, if a big whale sat down at one online casino; you bet your sweet ass I’m there.
So let me give you my take as a consumer that’s probably spent over $100,000 in transaction fees personally on Paysafe.
This was one of the cheapest and fastest ways to move money around online.
Unlike Stripe this which is against risky business such as CBD and gambling, paysafe is actually one of the leading payment providers in both UK/AUS / Ireland for iGaming.
Big example is William Hill, Bet365, Bwin.
Now why would you want to move money online around as a gambler ?
Well, Visa/MC charge close to 50%->75% more, online casinos = the merchant. They don’t wanna pay that, and in fact put limits on this type of payment processor. (Your visa’s credit cards etc). If a punter deposits / withdraws frequently, the online casino could literally be on the hook for like 20-30% of the turnover throughout the gambler’s period. (This assumes the gambler doesn’t lose all his money per deposit.
Imagine you’re a professional sportsbettor, you’re not loyal to one site. Different spreads / odds are offered on every site, you want to be able to move your money from one to another quickly and cheaply. Arbitrage opportunities do exist in sports betting as bookmakers hedge their books to minimize risk, diff frequencies of bets occur on each sports book; you get the idea.
For recreational punters, it’s simple: some sporting events that are smaller simply don’t exist on one site that exist on another. Eg. Perhaps you using Pinnacle / 10dimes for low spreads on high volume events, but perhaps you want to gamble on live events on bet365 on another day, and bet ponies on Hill.
What if you only have $5000 ? Giant pain in ass to deposit money to each site, paysafe lets you move it around easily.
Should you use visa, you may get blocked from depositing on various sites; Bodog, WHill, Bet365 just to name a few. Withdrawals and clearing deposits with bank transfers or checks takes days-> weeks and gamblers ain’t gonna wait for that shit.
You can also buy prepaid paysafe cards from stores if you don’t wish to use your real credit card; and load that shit up.
One of the biggest markets this is prominent in is South east Asia, they are some of the biggest punters and fucking loving gambling. Looking at you pinoys, Indonesians, Malays. Not everyone wants to fly to Macau to get their rocks off.
As much as this is a play on FinTech, please understand this company has more or less the best Payment service on online gambling globally.
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The Comparable VALUATIONS

From this chart you can see that there looks to be some favorable multiples that could improve once a deal closes. Also, I'm very bullish on the great Margins as well as the conservative growth. I think Foley along with the growing Igaming undervalues the potential of this company. Just the Draft Kings relationship make me tingle.

CHART is COURTESY of u/CoachCedricZebaze
https://preview.redd.it/aozxwuft0b461.jpg?width=722&format=pjpg&auto=webp&s=e40cbc4538ff3bef87a31050dca316ecae996a9b

Management and Growth

  • Bill Effing Foley - I have a thing for guys name Bill and this guy get my nips hard.
    • This guy has turned shit into gold. See his previous ventures before and after....

https://preview.redd.it/dp6oe2ew0b461.jpg?width=386&format=pjpg&auto=webp&s=5e6f137c95fec971568dfa5bc07d0290997c753d
https://preview.redd.it/mhl9b7ew0b461.jpg?width=326&format=pjpg&auto=webp&s=f57ec2eb7c7c318323373af10c8bb12b03e9082e
  • Bill has connections and a strategy to dominate Igaming.
  • Igaming addressable Market is expected to grow immensely from a few billion to tens of billions.
https://preview.redd.it/qfacblzz0b461.jpg?width=241&format=pjpg&auto=webp&s=dbcdace95286ffccf613daa79b93554ca3e5728b

This is an end to end payment processor with big big big name relationships for very disruptive companies that have huge addressable markets. The reason I am excited is because IGAMING is just really starting to take off and Paysafe is a first mover with brand new experienced management and very very fair valuations that could pop after a merger.
TL;DR- BUY BFT stock and BFT.W because BFT stands for big freaking tenderloins.
submitted by dhsmatt2 to wallstreetbets [link] [comments]

Jorah Mormont: Worse than you Think

So someone asked me why I hate Jorah so much and I wrote up a 1000 word diatribe against Jormont because I have no impulse control and my life is a ruin and now I'm going to force you all to read it.
Basically, despite the fact that nobody really likes Jorah from what I can tell, most people don't really hate him either. Even when people acknowledge that he's a bad advisor to Dany and a creepy pedo, they don't seem to realize how AWFUL he truly is and take a lot of his statements at face value.
Let's start with the most commonly accepted thing:
Lynesse was a sluttly, treacherous spendthrift.
There's no indication that this is actually the case. Not even Jorah says that she spent his money. Jorah says that he spent his own money "trying to bring back her smile." But all his attempts failed, presumably because her issue wasn't a lack of creature comforts. (her smile didn't even come back when they visited with her family in Oldtown, further evidence that her unhappiness ran deeper than a lack of money) Indeed, it seems that the primary cause of Jorah's desitution was himself. He went massively into debt, and by his own admission spent this money on entering tournaments, something equivalent to taking out a loan to try and become a professional high-stakes gambler because you got lucky one time. When you lose a tourney you have to give up your horse and armor (or something of equivalent value) to whoever it is that beat you. If you can win at least one tilt, you break even, but Jorah is a sort of mediocre jouster and spiraled ever deeper into debt replacing his arms and armor over and over again. This sort of thing would have been ruinously expensive, far worse than the harpist and fancy cook he bought for Lynesse's entertainment.
But I know what you're going to say, "He also toured the free cities with her, to try and entertain her! He built her a pleasure barge! That's gotta be really expensive!"
This is where Jorah's story becomes suspect. Consider the timeline of events
  1. he marries Lynesse (likely getting a huge windfall of cash via dowry)
  2. she becomes unhappy
  3. he goes on a tour of the free cities, gets horribly into debt, and gambles heavily
  4. He immediately goes on a second tour of the free cities (or perhaps never actually came back from the first one)
  5. he is outed as a slaver and never returns to Westeros.
It's often questioned how a man on Bear Island gets into the slave trade. They're pretty much as distant as its possible to be from any slave trading port and the profits from any slave trade would be minimal at best. I am very confident I have solved this riddle:
The 'pleasure barge' he built for Lynesse was actually the means by which he transported and sold his own people (and perhaps some wildlings) into slavery. His 'tour of the free cities' was in part a pretext to visit various slave markets and sell off his stock.
Now imagine you're Lynesse. You married a man twice your age when you were barely 15 and you thought him a romantic hero out of legend. You then find that he's decidedly not a hero out of legend and that he's actually just old, ugly, and poor. It's pretty obvious that you were stupid when you married this man, but then you were 15 and making stupid decisions is normal at that age. Your hubby claims to love you and you want to love him in return, but he spends huge amounts of time embarrassing himself at tournament after tournament. He claims to be doing it all for you, but do you really want to watch him lose at tournament after tournament?
Then he announces this plan to tour the free cities, and you're excited... only to find out that the hold of the ship is full of northern men and women who are wallowing in their shit as Jorah intends to sell them into slavery. Far from being a romantic getaway, this voyage is instead something straight out of a horror movie. You can probably hear the prisoners groaning when you go to sleep at night. When you get to Lys, you find that you and your husband have been exiled, and he puts you up in a house while he leaves for years at a time to become a sellsword. You're like 18 at this point, and you've spent the last three years in abject misery. Debtors are calling daily at your house and you don't have any way of answering them.
Can you honestly call her leaving him at that point "betrayal?" Sure, cozying up to a magister might be a morally dubious option, but hey, Jorah was a slaver too. Can you blame her for trying to aggressively improve her own position and standing? And as of ADWD we learn that she's actually someone of consequence in Lys these days, to the point that her family is asking her for help in raising fleets against the ironborn menace.
So what's my overall opinion on Lynesse?
You go girl.
As for Jorah, he fled his debtors, took work as a full time slave trader for Illyrio, took cash to 'betray' Illyrio's secrets to Varys, then started grooming Dany as his new 15yo waifu. He consistently works to isolate her from having any other advisors, pushes her to become a slaver herself, and strongly encourages her to abandon/murder her followers in Essos. Then when she expels him for his very real treason against her, he wallows in despair and alcoholism and prostitutes, kidnaps Tyrion and then gets sold into slavery himself. He's such a pathetic sad sack that Tyrion identifies with him and honestly that's the only thing keeping him alive at this point.
He's just such an abjectly shit human being. He doesn't even have the excuse that he grew up in a toxic culture since he breaks pretty much every moral rule that the Westerosi adhere to, despite having (unlike Cersei or Jaime) good moral instruction. Like, House Mormont came into being for the express purpose of defending Bear Island against slavers and yet this guy calls out Khal Drogo for not being callous enough about his slaving. I literally cannot think of a character in any form of media that pisses me off as much as this pathetic slaving pedophilic manchild.
Thanks for coming to my TED talk.
submitted by strangebloke1 to pureasoiaf [link] [comments]

The 3 types AMC holders (IMHO- long read to kill time)

TL:DR - Ignore hype, choose YOUR strategy, and stick to it. All money matters are a gamble.
New to the market, but paying attention to WS and learning for a couple years before finally jumping in. After now being a every-minute watcher on the market, the Reddit “movement”impact, and MSM reactions for a month, I’ve come to the conclusion that there are 3 types of AMC holders:
  1. The Get Rich Quick holder- this is the smoothest of smooth brains that have wandered in and have unrealistic expectations of AMC’s potential. They heard from MSM and “a buddy who knows” that something BIG(!) was happening with GME, and guys sitting in their mom’s basement were making life changing money on this “sure thing”. The GRQ checked WSB and was encouraged by DFV screens daily, laughed at all the big swinging dick fratboy talk and memes. “Wow! This looks like fun!” Says GRQ, but GME is already too cost prohibitive for them, so they YOLO into AMC. “$20 is amazing! This thing is gonna explode with the squeeze and be worth $1000 a share, and imma be rich by Friday!” GRQ hasn’t done ANY DD, because emoji posting, Jordan Belfort, and LOTR memes are all the GRQ needs to hold until the inevitable squeeze on AMC happens. The GRQ thinks XXX% increases are easy to capture, the HF’s are on their heels, and everything is being manipulated- otherwise they’d already be rich. Short interest metrics give the GRQ a chubby.
Why GRQ is GOOD: Fresh money and exposure in market trading, lots of entertainment. Some GRQ’s will educate themselves into better investors long term.
Why GRQ is BAD: Increased volatility, misinformation spreading, paper hands. These folks will lose interest quickly, and may incur life crippling debt by trading with money they can’t afford to lose.
  1. The Safe Gambler Noob - (full disclaimer: this is currently me). The SGN is more diligent, more careful, but not necessarily smart. They also likely wandered into AMC based on the WSB hype. They know some about WS and “the way things work”, but just enough to be careful. The SGN is reading EVERY bit of information about AMC, taking on a 60/40 split of bullshit to actual DD. They likely only bought in with a small amount around 14-16. Their rationale is “hey, look at what happened with GME- I guess it’s possible that AMC can get $100 or more, and at the very least, it’ll go up after the pandemic, so there’s really no risk”. The SGN is rife with FOMO, but balanced enough not to YOLO. They understand that HF’s have the power to do whatever they want, but also think “maybe what Redditors are doing is changing the game” (spoiler alert, probably not). Any positive mention of their positions or a “green day” gives the SGN a chubby.
Why the SGN is GOOD: like the GRQ, it’s bringing more folks into the market who might still be on the sidelines. If the SGN doesn’t at least get their initial investment back, they’ll bag hold to the grave. Some will educate and make smarter plays moving forward, having dipped their toe in the ocean and liking the temperature.
Why the SGN is BAD: They’ve already lost half their money, and may be hesitant to get deeper in or take any other positions. Lots of SGN’s will sell at the break even point (however long that may take) and never trade again, having taken the only beating they need to be scared away. Some reckless SGN’s falsely believe they have found a secret method or opportunity to “beat the system” because they got the first brain wrinkle.
  1. The Long Term Pro: Raisin Brains. These are the DFV’s of the world. As soon as the price of AMC tanked due to the pandemic, they had the foresight to get in at the low (if they believed AMC would survive) or buy the shorts (if they believed AMC would bankrupt). The LTP blocks out the “noise” of the Reddit hype, because they trust their own analysis more than anything they hear or read. There is very little risk for them with their AMC position, because they have a well diversified portfolio spread between stocks, bonds, mutual funds, and other safe savings plans. They likely only check the tickers when they want to “check in”, but aren’t swayed by any fluctuations. They likely have someone else professionally managing their portfolio. Even a market crash can’t phase the LTP, because they can afford to hold and ride it out until it comes back. They get chubbies whenever they want, because they’ve earned that right.
Why the LTP’s are GOOD: This is arguably the type of investor we all should try to be. Some LTP’s enjoy offering DD and education to the SGN’s, passing on and elevating overall market knowledge. Lots of them are still entrenched in their AMC positions, and will be for 4-5 years.
Why LTP’s are BAD: They completely ignore the GRQ’s as foolish, and stay away from ANY volatility. Most LTP’s that didn’t sell their AMC shares during the first Reddit hype peak, certainly did when the new offering dilution was announced. EVERY HF insider is an LTP, and knows how to make money in any market condition. These guys are very definition of “Bulls make money, Bears make money, Pigs get slaughtered”.
My only point in this post (other than a “gut check” for myself and maybe others), is that ALL matters concerning money is a risk/reward scenario. Even if you are putting money under your mattress, that money is constantly gaining or losing value. Anyone trading or investing should appreciate this, decide what your own strategy should be, and see it through.
Me personally, I’m striving for the DD of the LTP, the excitement of the SGN, and the stones of a GRQ.
On yeah, and Hold AMC. 😁
submitted by SalmonfromHell to amcstock [link] [comments]

Casual Reader, 'Gah, Kvothe is suchhh a Mary Sue' Old Knower, '...No he's not. And I got the receipts to prove it' [Brings Up This Thread]

Lol. I'm not spending anymore seconds on this sub putting in effort to search up and then provide the quotes for casuals who think Kvothe is a Mary Sue. Here are the receipts, immortalized. I'm just going to refer them to this thread from now on. [Adem Signs Entreaty] Please do the same.
Kvothe=Hero of a Greek Tragedy. In Greek tragedies, the heroes are almost supernaturally gifted, but brought to failure/humility by their inability to overcome their character flaws, their decisions, their lack of wisdom. His mentor's thoughts on him:
Ben took a deep breath and tried again. "Suppose you have a thoughtless six-year-old. What harm can he do?" I paused, unsure what sort of answer he wanted. Straightforward would probably be best. "Not much."
"Suppose he's twenty, and still thoughtless, how dangerous is he?"
I decided to stick with the obvious answers. "Still not much, but more than before." "What if you give him a sword?"
Realization started to dawn on me, and I closed my eyes. "More, much more. I understand, Ben. Really I do. Power is okay, and stupidity is usually harmless. Power and stupidity together are dangerous."
"I never said stupid," Ben corrected me. "You're clever. We both know that. But you can be thoughtless. A clever, thoughtless person is one of the most terrifying things there is. Worse, I've been teaching you some dangerous things."
...Is this your Kingkiller? (Note: I will be parodying a specific half a minute of dialogue from the movie Black Panther throughout my post, which you can find to the exact timestamp at this URL: https://youtu.be/uZMoFMGM48o?t=180 )

Kvothe constantly fucks himself over through his character flaws. Here's some of the Stupid, thoughtless shit he does throughout the series despite his cleverness:

I drew in a deep breath and spoke the words to bind the air in my lungs to the air outside. I fixed the Alar firmly in my mind, put my thumb and forefinger in front of my pursed lips, and blew between them.
There was a light puff of wind at my back that tousled my hair and caused the tarpaulin covering the wagon to pull taut for a moment. It might have been nothing more than a coincidence, but nevertheless, I felt an exultant smile overflow my face. For a second I did nothing but grin like a maniac at Ben, his face dull with disbelief.
Then I felt something squeeze my chest, as if I was deep underwater. I tried to draw a breath but couldn't. Mildly confused, I kept trying. It felt as if I'd just fallen flat on my back and had the air driven from me.
All in a rush I realized what I had done. My body exploded into a cold sweat and I grabbed frantically at Ben's shirt, pointing at my chest, my neck, my open mouth.
Ben's face turned from shocked to ashen as he looked at me. I realized how still everything was. Not a blade of grass was stirring. Even the sound of the wagon seemed muted, as if far off in the distance.
Terror screamed through my mind, drowning out any thought. I began to claw at my throat, ripping my shirt open. My heart thundered through the ringing in my ears. Pain stabbed through my straining chest as I gaped for air.
Moving more quickly than I had ever seen before, Ben grabbed me by the tatters of my shirt and sprang from the seat of the wagon. Landing in the grass by the side of the road, he dashed me to the ground with such a force that, if I'd had any air in my lungs, it would have been driven out of me. Tears streaked my face as I thrashed blindly. I knew that I was going to die. My eyes felt hot and red. I raked madly at the earth with hands that were numb and cold as ice.
In hindsight, what I had done was glaringly stupid. When I bound my breath to the air outside, it made it impossible for me to breathe. My lungs weren't strong enough to move that much air. I would have needed a chest like an iron bellows. I would have had as much luck trying to drink a river or lift a mountain.

[Killmonger Voice] Is this your Mary-Sue?

Starting the beef with Ambrose in his rush to get into the Archives as soon as possible...only to get indefinitely banned from it:
"I've just gone through admissions—" He tossed up his hands, exasperated. "Then of course you're not in the book."
I dug into a pocket for my admission slip. "Master Lorren gave me this himself."
"I don't care if he carried you here pig-a-back," Ambrose said, pointedly redipping his pen. "Now quit wasting my time. I have things to do."
"Wasting your time?" I demanded, my temper finally wearing thin. "Do you have any idea what I've gone through to get here?"
Ambrose looked up at me, his expression growing suddenly amused. "Wait, let me guess," he said, laying his hands flat on the table and pushing himself to his feet. "You were always smarter than the other children back in Clodhump, or whatever little one-whore town you're from. Your ability to read and count left the local villagers awestruck."
I heard the outer door open and shut behind me, but Ambrose didn't pay it any attention as he walked around to lean against the front of the desk. "Your parents knew you were special so they saved up for a couple years, bought you a pair of shoes, and sewed the pig blanket into a shirt." He reached out to rub the fabric of my new clothes between his fingers.
"It took months of walking, hundreds of miles bumping along in the backs of mule carts. But in the end . . ." He made an expansive gesture with both hands. "Praise Tehlu and all his angels! Here you are! All bright-eyed and full of dreams!"
Nahlrout was less powerful than these, but much safer. It was a mild anesthetic, a stimulant, and a vascular constrictor, which is why I hadn't bled like a stuck pig when they'd whipped me. Best of all, it had no major side effects. Still, there is always a price to be paid. Once nahlrout wears off, it leaves you physically and mentally exhausted.
Regardless, I had come here to see the stacks. I was now a member of the Arcanum and I didn't intend to leave until I'd been inside the Archives. I turned back to the desk, my expression resolute.
Ambrose gave me a long, calculating look before heaving a sigh. "Fine," he said. "How about a deal? You keep quiet about what you saw here today, and I'll bend the rules and let you in even though you aren't officially in the book." He looked a little nervous. "How does that sound?"
Even as he spoke I could feel the stimulant effect from the nahlrout fading. My body felt heavy and tired, my thoughts grew sluggish and syrupy. I reached up to rub at my face with my hands, and winced as the motion tugged sharply at the stitches all across my back. "That'll be fine," I said thickly.
Ambrose opened up one of the ledger books and sighed as he turned the pages. "Since this is your first time in the Archives proper, you'll have to pay the stack fee."
My mouth tasted strangely of lemons. That was a side effect Ben had never mentioned. It was distracting, and after a moment I saw that Ambrose was looking up at me expectantly. "What?" He gave me a strange look. "The stack fee."
"There wasn't any fee before," I said. "When I was in the Tomes."
Ambrose looked up at me as if I were an idiot. "That's because it's the stack fee." He looked back down at the ledger. "Normally you pay it in addition to your first term's Arcanum tuition. But since you've jumped rank on us, you'll need to tend to it now."
"How much is it?" I asked, feeling for my purse.
"One talent," he said. "And you do have to pay before you can go in. Rules are Rules."
After paying for my bunk in Mews, a talent was nearly all my remaining money. I was keenly aware of the fact that I needed to hoard my resources to save for next term's tuition. As soon as I couldn't pay, I would have to leave the University.
Still, it was a small price to pay for something I'd dreamed about for most of my life. I pulled a talent out of my purse and handed it over. "Do I need to sign in?"
"Nothing so formal as that," Ambrose said as he opened a drawer and pulled out a small metal disk. Stupefied from the side effects of the nahlrout, it took me a moment to recognize it for what it was: a handheld sympathy lamp.
"The Stacks aren't lit," Ambrose said matter-of-factly. "There's too much space in there, and it would be bad for the books in the long term. Hand lamps cost a talent and a half." I hesitated.
Ambrose nodded to himself and looked thoughtful. "A lot of folk end up strapped during first term." He reached down into a lower drawer and rooted around for a long moment. "Hand lamps are a talent and half, and there's nothing I can do about that." He brought out a four-inch taper. "But candles are just a ha'penny."
Ha'penny for a candle was a remarkably good deal. I brought out a penny. "I'll take two."
"This is our last one," Ambrose said quickly. He looked around nervously before pushing it into my hand. "Tell you what. You can have it for free." He smiled. "Just don't tell anyone. It'll be our little secret."
I took the candle, more than a little surprised. Apparently I'd frightened him with my idle threat earlier. Either that or this rude, pompous noble's son wasn't half the bastard I'd taken him for.
Ambrose hurried me into the stacks as quickly as possible, leaving me no time to light my candle.
The red light swelled and I saw two scrivs turn a corner. They paused, then one of them bolted to where I stood and snatched my candle away, spilling hot wax on my hand in the process of extinguishing it. His expression couldn't have been more horrified if he had found me carrying a freshly severed head.
"What are you doing with an open flame in here?" he demanded in the loudest whisper I had ever heard. He lowered his voice and waved the now extinguished candle at me. "Charred body of God, what's the matter with you?"
I rubbed at the hot wax on the back of my hand. Trying to think clearly through the fog of pain and exhaustion. Of course, I thought, remembering Ambrose's smile as he pressed the candle into my hands and hurried me though the door. "Our little secret. " Of course. I should have known.
One of the scrivs led me out of the Stacks while the other ran to fetch Master Lorren. When we emerged into the entryway, Ambrose managed to look confused and shocked. He overacted the part, but it was convincing enough for the scriv accompanying me. "What's he doing in here?"
"We found him wandering around," the scriv explained."With a candle."
"What?" Ambrose's expression was perfectly aghast. "Well I didn't sign him in," Ambrose said. He flipped open one of the ledger books. "Look. See for yourself."
Before anything else could be said, Lorren stormed into the room. His normally placid expression was fierce and hard. I felt myself sweat cold and I thought of what Teccam wrote in his Theophany: There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.
Lorren towered over the entry desk. "Explain," he demanded of the nearby scriv. His voice was a tight coil of fury.
"Micah and I saw a flickering light in the stacks and we went to see if someone was having trouble with their lamp. We found him near the southeast stairwell with this." The scriv held up the candle. His hand shook slightly under Lorren's glare.
Lorren turned to the desk where Ambrose sat. "How did this happen, Re'lar?"
Ambrose raised his hands helplessly. "He came in earlier and I wouldn't admit him because he wasn't in the book. We bickered for a while, Fela was here for most of it." He looked at me. "Eventually I told him he'd have to leave. He must have snuck in when I went into the back room for more ink." Ambrose shrugged. "Or maybe he slipped in past the desk in Tomes."
I stood there, stupefied. What little part of my mind wasn't leaden with fatigue was preoccupied with the screaming pain across my back. "That . . . that's not true." I looked up at Lorren. "He let me in. He sent Fela away, then let me in."
"What?" Ambrose gaped at me, momentarily speechless. For all that I didn't like him, I must give him credit for a masterful performance. "Why in God's name would I do that?"
"Because I embarrassed you in front of Fela," I said. "He sold me the candle, too." I shook my head trying to clear my head. "No, he gave it to me."
Ambrose's expression was amazed. "Look at him." He laughed. "The little cocker is drunk or something."
"I was just whipped!" I protested. My voice sounded shrill in my own ears.
"Enough!" Lorren shouted, looming over us like a pillar of anger. The scrivs went pale at the sound of him.
Lorren turned away from me, and made a brief, contemptuous gesture toward the desk. "Re'lar Ambrose is officially remanded for laxity in his duty."
"What?" Ambrose's indignant tone wasn't feigned this time.
Lorren frowned at him, and Ambrose closed his mouth. Turning to me, he said, "E'lir Kvothe is banned from the Archives." He made a sweeping gesture with the flat of his hand.
I tried to think of something I could say in my defense. "Master, I didn't mean—"
Lorren rounded on me. His expression, always so calm before, was filled with such a cold, terrible anger that I took a step away from him without meaning to. "You mean?" he said. "I care nothing for your intentions, E'lir Kvothe, deceived or otherwise. All that matters is the reality of your actions. Your hand held the fire. Yours is the blame. That is the lesson all adults must learn."
It was the nahlrout, of course. It had kept me from bleeding. It had seemed like such a good idea at the time. Now it seemed petty and foolish. Ambrose would never have managed to gull me so easily if my naturally suspicious nature hadn't been fuddled. I'm sure I could have found some way to explain things to Lorren if I'd had my wits about me.
As I made my way to the far corner of the room, I realized the truth. I had traded away my access to the Archives in exchange for a little notoriety.
"Banned?" Manet looked up at me. "He hasn't banned anyone in a dozen years. What'd you do? Piss on a book?"
"Some of the scrivs found me inside with a candle."
"Merciful Tehlu." Manet lay down his fork, his expression serious for the first time. "Old Lore must have been furious."
"Furious is exactly the right word," I said. "What possessed you to go in there with an open flame?" Simmon asked.
"I couldn't afford a hand lamp," I said. "So the scriv at the desk gave me a candle instead."
"He didn't," Sim said. "No scriv would . . ."
"Hold on," Manet said. "Was this a dark-haired fellow? Well-dressed? Severe eyebrows?" He made an exaggerated scowl.
I nodded tiredly "Ambrose. We met yesterday. Got off on the wrong foot."
"You won't need this piece of information for a while," Manet said quietly after a long period of silence. "What with being banned from the Archives and all. Still, I'm supposing you'd rather know. . . ." He cleared his throat uncomfortably. "You don't have to buy a hand lamp. You just sign them out at the desk and return them when you're done."
He looked at me as if anxious about what sort of reaction the information might provoke. I nodded wearily.

[Killmonger Voice] Huh? Is this your Mary-Sue?

"What do I have to do," I asked, "to study naming under you?"
He met my eye calmly, appraising me. "Jump," he said. "Jump off this roof."
That's when I realized that all of this had been a test. Elodin had been taking my measure ever since we met. He had a grudging respect for my tenacity, and he had been surprised that I noticed something odd about the air in his room. He was on the verge of accepting me as a student. But he needed more, proof of my dedication. A demonstration. A leap of faith.
And as I stood there, a piece of story came to mind. So Taborlin fell, but he did not despair. For he knew the name of the wind, and so the wind obeyed him. It cradled and caressed him. It bore him to the ground as gently as a puff of thistledown. It set him on his feet softly as a mother's kiss.
Elodin knew the name of the wind. Still looking him in the eye, I stepped off the edge of the roof.
Elodin's expression was marvelous. I have never seen a man so astonished. I spun slightly as I fell, so he stayed in my line of vision. I saw him raise one hand slightly, as if making a belated attempt to grab hold of me. I felt weightless, like I was floating.
Then I struck the ground. Not gently, like a feather settling down. Hard. Like a brick hitting a cobblestone street. I landed on my back with my left arm beneath me. My vision went dark as the back of my head struck the ground and all the air was driven from my body.
I didn't lose consciousness. I just lay there, breathless and unable to move. I remember thinking, quite earnestly, that I was dead. That I was blind.
Eventually my sight returned, leaving me blinking against the sudden brightness of the blue sky. Pain tore through my shoulder and I tasted blood. I couldn't breathe. I tried to roll off my arm, but my body wouldn't listen to me. I had broken my neck . . . my back . . .
After a long, terrifying moment, I managed to gasp a shallow breath, then another. I gave a sigh of relief and realized that I had at least one broken rib in addition to everything else, but I moved my fingers slightly, then my toes. They worked. I hadn't broken my spine.
As I lay there, counting my blessings and broken ribs, Elodin stepped into my field of vision. He looked down at me. "Congratulations," he said. "That was the stupidest thing I've ever seen." His expression was a mix of awe and disbelief. "Ever."
And that is when I decided to pursue the noble art of artificing. Not that I had a lot of other options. Before helping me limp to the Medica, Elodin made it clear that anyone stupid enough to jump off a roof was too reckless to be allowed to hold a spoon in his presence, let alone study something as "profound and volatile" as naming.
Kvothe's absolute failure in learning naming for the first half of WMF:
Elodin made a sweeping gesture toward me. “Then there is the third path. The path of Kvothe.” He strode to stand shoulder to shoulder with me, facing Fela. “You sense something between you. Something wonderful and delicate.”
He gave a romantic, lovelorn sigh. “And, because you desire certainty in all things, you decide to force the issue. You take the shortest route. Simplest is best, you think.” Elodin extended his own hands and made wild grasping motions in Fela’s direction. “So you reach out and you grab this young woman’s breasts.”
There was a burst of startled laughter from everyone except Fela and myself. I scowled. She crossed her arms in front of her chest and her flush spread down her neck until it was hidden by her shirt.
Elodin turned his back to her and looked me in the eye.
“Re’lar Kvothe,” he said seriously. “I am trying to wake your sleeping mind to the subtle language the world is whispering. I am trying to seduce you into understanding. I am trying to teach you.” He leaned forward until his face was almost touching mine. “Quit grabbing at my tits.”
I left Elodin’s class in a foul mood.
Kvothe's blatant failures with Kilvin:
Kilvin let out a deep sigh. “Before, when you made your thief ’s lamp, you made a bad thing in a good way. That I do not like.” He looked down at the schema. “This time you have made a good thing in a bad way. That is better, but not entirely. Best is to make a good thing in a good way. Agreed?” I nodded. He lay one massive hand on the crossbow. “Did anyone see you with it?” I shook my head.
“Then we will say it is mine, and you procured it under my advisement. It will join the equipment in Stocks.” He gave me a hard look. “And in the future you will come to me if you need such things.”
That stung a bit, as I’d been planning on selling it back to Sleat. Still, it could have been worse. The last thing I wanted was to run afoul of the iron law.
“Third, I see no mention of gold wire or silver in your schema,” he said. “Nor can I imagine any use they could be put to in such a device as yours. Explain why you have checked these materials out of Stocks.”
I was suddenly pointedly aware of the cool metal of my gram against the inside of my arm. Its inlay was gold, but I could hardly tell him that. “I was short on money, Master Kilvin. And I needed materials I couldn’t get in Stocks.”
“Such as your flatbow.” I nodded. “And the straw and the bear traps.”
“Wrong follows wrong,” Kilvin said disapprovingly. “The Stocks are not a moneylender’s stall and should not be used as such. I am rescinding your precious metals authorization.”
I bowed my head, hoping I looked appropriately chastised.
“You will also work twenty hours in Stocks as your punishment. If anyone asks, you will tell them what you did. And explain that as a punishment you were forced to repay the value of the metals plus an additional twenty percent. If you use Stocks as a moneylender, you will be charged interest like a moneylender.”
I winced at that. “Yes, Master Kilvin.”
Vashet slapping the murder and Mary Sue right out of Kvothe:
I sighed. “Must we, Vashet?” She raised an eyebrow at me. “Must we what?” “Must we focus always on hand fighting?” I said. “My swordplay is falling farther and farther behind.” “Am I not your teacher?” she asked. “Who are you to say what is best?”
“I am the one who will have to use these skills out in the world,” I said pointedly. “And out in the world, I would rather fight with a sword than a fist.” Vashet lowered her hands, her expression blank. “And why is that?” “Because other people have swords,” I said. “And if I’m in a fight, I intend to win.” “Is winning a fight easier with a sword?” she asked.
Vashet’s outward calm should have warned me I was stepping onto thin conversational ice, but I was distracted by the nauseating pain radiating from my groin. Though honestly, even if I hadn’t been distracted, it’s possible I wouldn’t have noticed. I had grown comfortable with Vashet, too comfortable to be properly careful.
“Of course,” I said. “Why else carry a sword?” “That is a good question,” she said. “Why does one carry a sword?” “Why do you carry anything? So you can use it.”
Vashet gave me a look of raw disgust. “Why do we bother to work on your language, then?” She asked angrily, reaching out to grab my jaw, pinching my cheeks and forcing my mouth open as if I were a patient in the Medica refusing my medicine. “Why do you need this tongue if a sword will do? Tell me that?”
I tried to pull away, but she was stronger than me. I tried to push her away, but she shrugged my flailing hands away as if I were a child. Vashet let go of my face, then caught my wrist, jerking my hand up in front of my face. “Why do you have hands at all and not knives at the ends of your arms?”
Then she let go of my wrist and struck me hard across the face with the flat of her hand.
If I say she slapped me, you will take the wrong impression. This wasn’t the dramatic slap of the sort you see on a stage. Neither was it the offended, stinging slap a lady-in-waiting makes against the smooth skin of a too-familiar nobleman. It wasn’t even the more professional slap of a serving girl defending herself from the unwelcome attention of a grabby drunk.
No. This was hardly any sort of slap at all. A slap is made with the fingers or the palm. It stings or startles. Vashet struck me with her open hand, but behind that was the strength of her arm. Behind that was her shoulder. Behind that was the complex machinery of her pivoting hips, her strong legs braced against the ground, and the ground itself beneath her. It was like the whole of creation striking me through the flat of her hand, and the only reason it didn’t cripple me is that even in the middle of her fury, Vashet was always perfectly in control.
Because she was in control, Vashet didn’t dislocate my jaw or knock me unconscious. But it made my teeth rattle and my ears ring. It made my eyes roll in my head and my legs go loose and shaky. I would have fallen if Vashet hadn’t gripped me by the shoulder.
“Do you think I am teaching you the secrets of the sword so you can go out and use them?” she demanded. I dimly realized she was shouting. It was the first time I had ever heard one of the Adem raise their voice. “Is that what you think we are doing here?”
As I lolled in her grip, stupefied, she struck me again. This time her hand caught more of my nose. The pain of it was amazing, as if someone had driven a sliver of ice directly into my brain. It jolted me out of my daze so I was fully alert when she hit me the third time.
Vashet held me for a moment while the world spun, then let go. I took one unsteady step and crumpled to the ground like a puppet with its strings cut. Not unconscious, but profoundly dazed.
It took me a long time to collect myself. When I was finally able to sit up, my body felt loose and unwieldy, as if it had been taken apart and put back together again in a slightly different way.
She reached out and ran her thumb along the side of my face. It felt cool against the swelling. “You must have angered her very.” “I can tell that by the ringing of my ears,” I said.
Penthe shook her head. “No. Your marks.” She gestured to her own face this time. “With another, it might be a mistake, but Vashet would not leave such if she did not wish everyone to see.”
The bottom dropped out of my stomach and my hand went unconsciously to my face. Of course. This wasn’t mere punishment. It was a message to all of Ademre. “Fool that I am,” I said softly. “I did not realize this until now.”

[Killmonger Voice] The Mary Sue who's supposed be unrealistically perfect and lack any flaws or weaknesses? This is your guy who does no wrong?

Sleat rubbed at his face. “Let me see. You play the lute passing well and are proud as a kicked cat. You are unmannerly, sharp-tongued, and show no respect for your betters, which is practically everyone given your lowly ravel birth.”
I felt a flush of anger start in my face and sweep, hot and prickling, down the entire length of my body. “I am the best musician you will ever meet or see from a distance,” I said with forced calm. “And I am Edema Ruh to my bones. That means my blood is red. It means I breathe the free air and walk where my feet take me. I do not cringe and fawn like a dog at a man’s title. That looks like pride to people who have spent their lives cultivating supple spines.”
Sleat gave a lazy smile, and I realized he’d been baiting me. “You also have a temper, so I’ve heard.
I continued to meet with Celean in the grassy field next to the sword tree. I looked forward to these encounters despite the fact that she thrashed me with cheerful ruthlessness every time we fought. It took three days before I finally managed to beat her.
Celean had a lesson of her own to teach me. Namely that there are opponents who will not hesitate to punch, kick, or elbow a man directly in his genitals.
Never hard enough to permanently injure me, mind you. She’d been fighting her entire young life and had the control Vashet valued so highly. But that meant she knew exactly how hard to strike to leave me stunned and reeling, making her victory utterly unquestionable.
So I sat on the grass, feeling grey and nauseous.
“How dare you!” I spat back angrily. “I can’t believe I trusted you! I defended you to my friends—” I trailed off as the unthinkable happened. Despite my binding, Devi started to move, her hand inching its way into the open drawer. I concentrated harder and Devi’s hand came to a halt. Then, slowly, it began to creep forward again, disappearing into the drawer. I couldn’t believe it.
“You think you can come in here and threaten me?” Devi hissed, her face a mask of rage. “You think I can’t take care of myself? I made Re’lar before they threw me out, you little slipstick. I earned it. My Alar is like the ocean in storm.” Her hand was almost completely inside the drawer now.
I felt a clammy sweat break out across my forehead and broke my mind three more times. I murmured again and each piece of my mind made a separate binding, focusing on keeping her still. I drew heat from my body, feeling the cold crawl up my arms as I bore down on her. That was five bindings in all. My outside limit.
Devi went motionless as stone, and she chuckled deep in her throat, grinning. “Oh you’re very good. I almost believe the stories about you now. But what makes you think you can do what even Elxa Dal couldn’t? Why do you think they expelled me? They feared a woman who could match a master by her second year.” Sweat made her pale hair cling to her forehead. She clenched her teeth, her pixie face savage with determination. Her hand began to move again. Then, with a sudden burst of motion she yanked her hand out of the drawer...
I felt a sudden, jarring impact, as if I’d fallen several feet and landed flat on a stone floor. It was startling, but nowhere near as bad as it could have been. Through the terror, some small part of me marveled at her precision and control.
The binding that held me fell away, and I drew a deep breath. “I understand, Devi,” I said. “But can—”
“Get OUT!” she shouted.
I got out. I would like to say it was a dignified exit, but that would not be the truth.

[Killmonger Voice] Him? He's supposed to be better than everyone?

Editted to Add More Examples: Updated 11/13/20
Here's hardened, grown men not even slightly taking him seriously:
The tall man shook his head somberly. "I was in the tavern when they came in with the news. They were gatherin' folk with wagons so they could go get the bodies. The whole wedding party dead as leather. Over thirty folks gutted like pigs and the place burned down in a blue flame. And that weren't the least oddness from what. ..." He dropped his voice and I lost what he was saying among the general noise of the room.
I swallowed against the sudden dryness in my throat. I slowly tied off the last stitch on my cloak and set it down. I noticed my bleeding finger and absently put it in my mouth. I took a deep breath. I took a drink. Then I walked over to the table where the two men sat talking. "Did you gentlemen come downriver by any chance?"
They looked up, obviously irritated by the interruption. Gentlemen had been a mistake, I should have said fellows, fellas. The bald one nodded. "Did you come by way of Marrow?" I asked, picking a northern town at random. "No," the fat one said. "We're down from Trebon."
"Oh good." I said, my mind racing for a plausible lie. "I have family up in those parts I was thinking of visiting." My mind went blank as I tried to think of a way to ask him for the details of the story I'd overheard.
My palms were sweaty. "Are they getting ready for the harvest festival up that way, or have I already missed it?" I finished lamely.
"Still in the works," the bald one said and pointedly turned his shoulder to me. "I'd heard there was some problem with a wedding up in those parts...."
The bald one turned back to look at me. "Well I don't know how you'd have heard that. As the news was fresh last night and we just docked down here ten minutes ago." He gave me a hard look. "I don't know what you're sellin', boy. But I ain't buyin'. Piss off or I'll thump you." I went back to my seat, knowing I'd made an irrecoverable mess of things.
Tam grinned at him. “And what’re yeh doin’ in town?” “We’re just passing through,” I said. “We met up on the road and he was nice enough to walk with me.”
Tam looked me up and down dismissively. “I wan’t talkin’ to you, boy,” he growled. “Mind yer betters.” ........Tam shook his head in exaggerated bemusement. “Even if I believed yeh for a second,” he said, “that means yeh should make four or five pennies a day. Not twenny. Wh—”
I put on my most ingratiating smile and leaned into the conversation. “Listen, I—”
Tam’s mug knocked hard against the tabletop, sending a splash of cider leaping up into the air. He gave me a dangerous look that didn’t hold any of the false playfulness he’d been showing Tempi. “Boy,” he said. “Yeh innerupt me again, and I’ll knock yer teeth right out.” He said it without any particular emphasis, as if he were letting me know that if I jumped into the river, I was bound to get wet. Tam turned back to Tempi.

[Killmonger Voice] This is your silver tongued 'Mary Sue' ?

While my mind was occupied, I misplayed and we lost another hand, putting us down four in a row with a forfeit besides.
Manet glared at me while he gathered in the cards. “Here’s a primer for admissions.” He held up his hand, three fingers spearing angrily into the air. “Let’s say you have three spades in your hand, and there have been five spades laid down.” He held up his other hand, fingers splayed wide. “How many spades is that, total?” He leaned back in his chair, crossing his arms. “Take your time.”
I covered a fellow student’s observation shift in the Medica in exchange for a jot and helped a merchant unload three wagonloads of lime for halfpenny each. Then, later that night, I found a handful of cutthroat gamblers willing to let me sit in on their game of breath. Over the course of two hours I managed to lose eighteen pennies and some loose iron. Though it galled me, I forced myself to walk away from the table before things got any worse. At the end of all my scrambling, I had less in my purse than when I had begun.

[Killmonger Voice] Him? The guy who's very often complete trash at card games is an 'unrealistically good at everything Mary Sue' huh?

Patrick Rothfuss on Kvothe being an Unreliable NarratoMary Sue:
However people read the book makes me happy, as long as they enjoy themselves. But I will say that one of the reads I find a little irritating is where they think, "Oh, he's the best at everything. Oh, he's telling this story where he's so cool all the time." Are you reading the same story that I wrote? Because, like, he is constantly shitting the bed. He is full of terrible decisions all the time. If I were gonna go back and mythologize my life, I would leave out so many of the terrible choices that I made.
https://www.wired.com/2016/08/wired-book-club-patrick-rothfuss-interview/
My thoughts: Kvothe is really only a Mary Sue if you prize attributes like talent, intelligence, and power over things like patience, wisdom, thoughtfulness, and making reasonable choices and life decisions. Because then, that's all you see/focus on in Kvothe. His capabilities. Anyone who is or knows someone really intelligent, really skilled, etc. decently well knows that that doesn't mean shit-all if they go around making horrible life decisions or foolish choices in general. Assuming you've read the story fully, Kvothe's only a Mary Sue if you put his capabilities on a pedestal and then confirmation bias tunnel visions you to focus only on that aspect of him. If you can't relate to those qualities in him and this causes you to dismiss/other him as a Mary Sue.... how about you relate to the fact that he's a young, arrogant kid who thinks he knows everything while simultaneously knowing nothing about love/the opposite gender, who constantly makes dumb decisions. Same as most of us when we were his age.
11/13/20 Edit Update:

I guarantee half, if not most, of the people who can only say 'well, you sound mean and horrible in the post' as a response are people who stumbled onto this thread and subreddit from the front page and never read a page of the books. Feel free to return to the subs you usually frequent unless you have something substantive to say about the book series that this entire subreddit is about (as I spent this entire post doing)

Unfortunately, I just can't find it in me to care about your opinions beyond the books. Sorry, not sorry. ;-)
submitted by Jezer1 to KingkillerChronicle [link] [comments]

The Vow of Silver Dawn Chapter 1 - English Translation

There's been a lot of discussion about the new Chinese-exclusive canon ebook The Vow of Silver Dawn, and how there won't be an official translation of it, so I figured I'd have a go for my own enjoyment (and hopefully yours too!). I will eventually do all of the chapters as they come out, though Matt Martin has said the book is "looooooog, like super long," so I can't promise translations on the regular, but I'll share them as I can.
Edits: Fixed a few typos and added a link to Chapter 2
Star Wars
The Vow of Silver Dawn
By His Majesty the King
Chapter 1
Welcome to Bergamore
A long time ago, in a galaxy far, far away.
The Republic ruled a highly-developed galactic society, its capital of Coruscant like a blazing star spreading the light and heat of civilization abundantly.
However, in those corners where the light was not as bright, shadows were present, and poverty and corruption inevitably bred in the fringe areas of the Republic.
Bergamore, located in the Outer Rim of the galaxy, had followed its irregular orbit around a binary star system for countless years. The planet merited only occasional attention from the Republic’s indifferent citizens, who viewed it as impoverished and backward.
However, a few decades ago, a politician by the name of Jamie Brasen had risen to prominence on the planet Bergamore. Projecting charm and integrity, he won the support of the planet’s three billion inhabitants and became Bergamore’s President, bringing envoys to meet with the Senate of the Republic. On the capital world of Coruscant, he earned the respect of many senators with his almost flawless personal image.
In the view of the Senate, Jamie Brasen was honest and upright, with a gentle and humble personality. Under his rule, Bergamore had become increasingly prosperous and rich, gradually ridding itself of its poor and underdeveloped reputation, and Brasen built up the planetary capital of Green Sunlight into a model city. The thriving metropolis amazed countless tourists from far and wide. But Brasen himself had maintained a meager life for decades; even when he attended his conference with the Republic, Brasen had worn a patchwork jacket.
Surely, there was nothing more to this so-called saint than that.
­­­____
“Sure enough, there are no real saints in the world…”
A human woman covered her beautiful, dignified face with a gray cloak and walked quietly down a dark and damp street, looking at the crookedly-built temporary buildings along both sides of the path, and the shivering abandoned children under the shelter of awnings. She couldn’t help pursing her lips tightly at the sight, and sighed sadly within her heart.
Not far from this street – 20 meters overhead, to be precise – was the proudest, most affluent city on the planet of Bergamore, gleaming like a steel green forest. The city’s architectural style had been based on that of Coruscant. Although the sprawl had not spread over every corner of Bergamore as had happened to Coruscant, the city shown as bright as a star for the remote and impoverished planet.
However, how many people knew that under its dazzling epidermis, the city was rotten to the bone? How many knew that of Bergamore’s 3 billion people, only a very small number could live a life of luxury in the modern buildings of the capital Green Sunlight?
The woman walked in silence, and after a while, a group of devious shadows came to follow.
In this underworld domain, a woman walking alone in the slums was almost like bait thrown into a fishing pond.
In her wake, slave traders who longed for better captives, black market doctors looking for fresh organs, murderers who took pleasure in killing, and down-on-their-luck gamblers followed.
However, the woman simply looked back at the devious shadows. They disappeared like morning mist upon encountering the sun. Suddenly, these underworld thugs couldn’t even recall what they had come here after.
The woman didn’t care, and wasn’t surprised. After coming to Bergamore, similar instances had happened too many times to count. She shook her head, continued on her way, and walked until she reached a dilapidated hotel. Entering the only upper-class guest room, she took off her cloak, exhaled, and clicked on a huge projection covering an entire wall of the room. The screen, displayed by a customized communication device in the shape of a wrist bracelet she wore, transmitted new data.
Two holoimages quickly lit up on the wall. In the first, haggard children were kept in dark cages like animals, awaiting their fate as livestock before a slaughter.
In contrast, the other image showed revelers in the upper level of the city, drunk and enjoying a life comparable to that of the rich nobles at the core of the Republic.
Various images such as these came to light up the entirety of the wall – and this was the collection of a woman who had only come to Bergamore a week ago.
On the display, various pictures and annotations were connected by lines of different colors, like a densely-woven network with countless clues pointing to the core.
At the center was the image of the President of the planet Bergamore, Jamie Brasen!
It was the President of Bergamore, who was well-known on Coruscant, that had led to countless tragedies. Nearly every large criminal organization working behind the scenes on the planet stemmed from Jamie Brasen. He was at the helm of the consortiums and the gangs, the highest in the food chain. Before he had come to power, Bergamore had been poor, but its populace had lived in peace. The people had never been treated inhumanely, and had followed a harmonious life for thousands of years. However, in the span of just a few decades, the surface of this planet had been filled with criminals… and bones.
This was all still unknown to the galaxy at large. Jamie Brasen still enjoyed the prestige of a saint, and no one could tarnish his perfect reputation.
The woman stared silently at the network of clues on the wall. Suddenly, the communicator bracelet on her arm chirped, and she placed the device on the table. A blue holographic projection appeared.
She saw an octopus-like alien head appear in her field of vision, and the four tentacles on its chin squirmed gently, indicating his species as a Quarren. A gaze of utmost respect shown in the two round eyes.
“Salutations to you, respected Master Jedi…”
Before he finished speaking, the woman interrupted: “As I’ve said, please, call me Mostema.”
The Quarren individual seemed slightly uneasy.
Mostema continued, “Don’t feel anxious, just treat this as a business exchange between colleagues. You used to oversee the Republic’s intelligence work on Bergamore, and I really could use you professional advice.”
The Quarren felt even more ashamed when he heard this. “Jamie Brasen is a very cunning politician. I have been here for many years, and I have never him in the act of wrongdoing.”
“Being able to verify the other party’s cunning is still the result of important work,” Mostema assured the Quarren. “Do you have any suggestions for the next job?”
With that, the Jedi Master transmitted all the information she had collected to the Quarren agent.
Upon hearing the transmission had been received, the Quarren quickly turned his attention to his own display screen. His two already-huge eyeballs grew wider.
“Master, is this the evidence you’ve collected? You really deserve to be a Jedi Master. All this within just a few standard days, and so much as been compiled! Let me see… God, this chain of evidence is so complete! Next, just add the testimonies from StarFan Hostel and Shining Manpower…”
Again before he had finished, he saw Mostema exhibit two new portraits on the display through the communicator bracelet. They were the leaders of StarFan Hostel and Shining Manpower, and their confessions and related testimonies told the same story. Moments passed.
The Quarren was stunned. “… This is worthy of the Jedis’ famed omnipotence, the final link in the chain of evidence is here! As long as you submit this dossier to the Senate in the name of the Jedi Order, it should be enough to merit acceptance. Jamie Brasen’s evil rule ends here!”
“Hmmm…” Mostema thought to herself briefly, but then smiled and shook her head.
“So, what if this wasn’t submitted in the name of the Jedi Order? For example, if it came from you, or even an ordinary person working on Bergamore?”
The Quarren was stunned momentarily, then said in a low voice, “I am afraid that would be a bit insufficient. The President’s crimes are rarely committed firsthand; almost all of them are done by others. There is no proof that directly connections him to a crime. And, his perception within the Republic is nearly pristine. Everyone thinks of Brasen as a humble and incorruptible philanthropist. He also has the most prestigious lawyers in the galaxy at his disposal, and has turned black to white through the courts many times, in fact, with legal deposition on his side. Taking on a politically-strong man who has controlled this planet for decades is far-fetched in itself, so I hope you can…”
“Do you hope to use the name of the Jedi in order to bring him down? Then the essence of the matter is that I wield Jedi political sway extrajudiciously to forcibly interfere with the judgment of the Senate. Simply because I can’t stand Brasen, I should use the influence of the Jedi Order, dressed in the guise of the law, and ask the Senate to make him stand trial? How does that set me apart from a reckless tyrant such as him?”
The Quarren thought for a long moment, and suggested reluctantly, “If you must build your case through legal avenues, then you still aren’t without tricks at your disposal. Now that the Jedi Council has decided to investigate Jamie Brasen, then use your skills. Can’t you merely go to the President and let him confide the truth to you on his own? That’s the kind of hypnotizing technique that only the Jedi use…”
The Jedi Master deeply regretted the recognition of this power. “The Force techniques mastered by the Jedi are a double-edged sword. Of course I can use the Force to confound Jamie’s mind and make him self-report his crimes, but in the same fashion, this technique could be used to elicit a false confession, and allow innocent people to be unjustly wronged. If it was known I had influenced his mind, any testimony obtained from Brasen through hypnosis becomes invalid. Additionally, since Jamie Brasen is exceptionally crafty, it is entirely possible for him to anticipate and prepare for a Jedi mind trick in advance. In which case, he could not be hypnotized into telling the truth.”
The Quarren said helplessly, “If you believe that’s possible, then the situation is very dire. Jamie has been in control of Bergamore for so long, and the whole planet has become like a combination of labyrinth and spider web what with illegal intrigue, that it is difficult to pinpoint his location at a given time through peripheral clues. If you will have to speak with him, you can only try to find the legendary manor. Some have said that the President built a private mansion on the outskirts of Green Sunlight, where he lives a life of glamour. More importantly, he is known to entertain guests at the manor. Most of is crimes are designed and completed within the manor’s walls. I have been investigating for many years, but I have yet to find the slightest trace about the manor’s location…”
As he was talking, the Quarren suddenly heard the communicator bracelet on the table start to ding, and the woman’s cold expression melted a bit – though it was only barely perceptible, the Quarren felt sure the change wasn’t because she was looking at him.
Mostema stated, “I have asked my apprentice to investigate Jamie’s manor.”
The Quarren was shocked. “Apprentice? You didn’t come alone?”
“Yes, my apprentice Sean. He is still at the stage of training, 17 years old but still immature and in need of more tutelage. So I asked him to go to the lower city to investigate intelligence leads on the Presidential Manor.”
The Quarren only experienced a moment of astonishment before saying, “Master, Jamie has always attached great importance to the secrets of his manor. Anyone who dares to investigate it privately will have their life in danger! More to the point, many of my own elite agents have gone missing here in the Green Sunlight District!”
“Yes, so I told him to be particularly careful while investigating.”
“This is not a question of carelessness. Your apprentice is but merely a student? With all due respect, even for a Jedi who has mastered the art of the Force…”
However, as he was speaking, Mostema had reached out and pressed the button for multi-person communication feature on the bracelet, and suddenly another projection appeared beside the octopus-like head.
It was of a human teenager who seemed to be only 16 or 17 years old… the Quarren was not especially good at distinguishing human ages from simple beauty and ugliness, but seeing this black-haired and dark-eyed teenager, he immediately felt a sense of camaraderie.
The other party took the initiative to say hello to the alien.
“Good afternoon, Master! I presume this is our agent Mr. Squak, I’m glad to meet you! I read your ‘Bergamore Investigation Report.’ The work was very meticulous, it was really quite admirable!”
The Quarren’s rough skin abruptly took on a blood-like color. “I… I am too ashamed. There have been no reliable results from the investigation for several years…”
“No, because your work has not yielded any results, the Republic will request the Jedi Order to send a Master to investigate, which will substantially accelerate the progress of the investigation. I believe the people of Bergamore will remember you contributions long into the future!”
At last, the Quarren was utterly speechless.
Chapter 2: https://www.reddit.com/starwarscanon/comments/kqri6v/the_vow_of_silver_dawn_chapter_2_english/
submitted by GoRienMoss to starwarscanon [link] [comments]

[H] 250+ games, January Humble Choice leftovers [W] Games, paypal, offers

I accept paypal for trades over 5€, otherwise I prefer game trades. I cover fees if you buy 10€+, if less you cover them.

GAME STEAM REVIEWS GENRE
PC Building Simulator 3.40€ 95% Simulator
VAMPIRE: THE MASQUERADE - Shadows of New York 1.80€ 80% Indie - Visual Novel
Tales of Neon Sea 1.50€ 81% Indie - Adventure
Minoria 1€ 85% Rpg - Metroidvania
Deleveled 0.80€ 100% Puzzle - Platformer
The Ambassador: Fractured Timelines 0.50€ 100% Rpg - Twin Sticks shooter
A Case of Distrust 1€ 87% Adventure - Indie
American Fugitive 2€ 75% Action - Open World
The Coma 2: 2€ 98% Horror - Adventure
Through the Darkest of Times 1.5€ 87% Simulation - Strategy
Automachef 2€ 76% Simulation - Puzzle
The Swords of Ditto 2€ 61% Roguelike - Rpg
Horace 1€ 91% Adventure
Driftland: The Magic Revival 2.5€ 81% Strategy
Molek-Syntez 2.5€ 95% Simulation - Puzzle
The Bard's Tale IV 71% Rpg
Raiden V: Director's Cut 68% Arcade
Shoppe Keep 2 63% Strategy - Coop
Darkness II 2.5€ 92% Fps - Co-Op
Chroma Squad 94% Strategy - Rpg
Reigns 89% Card Game - Roguelike
Reigns: Her Majesty 85% Card Game - Roguelike
Sword Legacy Omen 74% Rpg - Turn Based
Chasm 70% Metroidvania
Road Redemption 81% Racing - Multiplayer
Love is Dead 95% Puzzle
I am not a Monster 85% Strategy
Paradigm 97% Adventure
Absolver 67% Action - Multiplayer
Hard Reset Redux 1.75€ 81% Fps - Action
Sir, You Are Being Hunted 76% Action - Fps
Fight'N Rage 94% Beat 'em up
Blue Estate the Game 92% Fps - Co-op
Dead Island Definitive Edition: Dead Island + Ryder White DLC + Bloodbath Arena DLC + Ripper Mod DLC 4€ 72% Action - Open World
Shark Attack Deathmatch 2 76% Survival - Multiplayer
Sniper Elite 75% Shooter- Stealth
Ballpoint Universe - Infinite 87% Platform
Beat Hazard Ultra 95% Bullet Hell - Music
Betrayer 84% Fps - Horror
Broken Sword 2: The Smoking Mirror 90% Adventure
Cook, Serve, Delicious! 95% Action - Strategy
Dino D-Day 86% Action - Multiplayer
Doorways: Holy Mountains of Flesh 83% Adventure - Horror
Dead Effect 71% Fps - Horror
Dreaming Sarah 92% Platform - Adventure
Dreaming Sarah 92% Platform - Adventure
Dyscourse 76% Strategy - Survival
Enclave 73% Action - Rpg
Enclave 73% Action - Rpg
Eternal Winter(Artico) 72% Survival - Open World
Fancy Skulls 75% Fps
Flash Eaters 75% Action - Rpg
Flash Eaters 75% Action - Rpg
Galactic Civilizations II: Ultimate Edition 77% Strategy
Gold Rush! Classic 94% Adventure
Hero of the Kingdom 93% Adventure
Hero of the Kingdom 93% Adventure
Kingdom: New Lands 87% Strategy - Survival
One Finger Death Punch 95% Action
One Finger Death Punch 95% Action
One Way Heroics 90% Rpg - Rogue-Like
Gorky 17 82% Rpg - Strategy
Age of Gladiators 80% Strategy - Rpg
Albedo: Eyes from Outer Space 50% Adventure
The Whispered World Special Edition 78% Adventure
River City Ransom: Underground 75% Coop - Rpg
Dangerous High School Girls in Trouble 75% Rpg - Strategy
Awesomenauts 85% Moba - Multiplayer
Gryphon Knight Epic 93% Shoot 'Em Up
Hostile Waters: Antaeus Rising 97% Action
Sonic Adventure DX 87% Action
Grand Ages Rome / Imperium Romanum 2 72% Strategy
Lumino City 88% Adventure
No Time to Explain 76% Action - Platform
PixelJunk Nom Nom Galaxy 70% Strategy
Post Apocalyptic Mayhem 80% Racing
Quest for Infamy 76% Adventure - Rpg
Shadow Warrior Classic Redux 88% Fps
Smooth Operators: Call Center Chaos 68% Strategy
Jalopy - The Road Trip Driving Indie Game 78% Adventure - Open World
Soul Gambler: Dark Arts Edition: Soul Gambler + Soul Gambler: Artbook & Soundtrack 88% Adventure - Rpg
Gloom 85% Adventure - Action
Talisman: Digital Edition 83% Boardgame - Multiplayer
Tiny & Big in Grandpa's Leftovers 92% Action - Adventure
Tower of Guns 87% Fps - Rogue-Like
Secrets of Raetikon 72% Action - Adventure
Two Worlds Epic Edition: Two Worlds + Tainted Blood add-on 72% Rpg - Open World
Heroes of the Monkey Tavern 75% Rpg
Vanguard Princess 73% Fighting Game - Coop
Volgarr the Viking 84% Platform - Action
1953 - KGB Unleashed 63% Adventure
2064: Read Only Memories 87% Adventure
Sonic Adventure 2 85% Action
Subterrain 82% Survival - Action
Battlepaths 75% Rpg
Battlepaths 75% Rpg
A Valley Without Wind 64% Action - Multiplayer
A Valley Without Wind 1 + 2 64% Action - Multiplayer
Alchemy Mysteries: Prague Legends 77% Adventure
Asteroid Bounty Hunter 62% Action - Rpg
Arkshot 74% Multiplayer - Fps
Cally's Caves 3 83% Action - Adventure
Avencast: Rise of the Mage 70% Action - Rpg
Avencast: Rise of the Mage 70% Action - Rpg
Shadowgrounds 80% Action - Top-Down Shooter
Back to Bed 76% Puzzle
Chains 74% Puzzle
Chains 74% Puzzle
Chains 74% Puzzle
Chompy Chomp Chomp 74% Action - Multiplayer
Chompy Chomp Chomp 74% Action - Multiplayer
Cognition: An Erica Reed Thriller 82% Adventure
Crash Time II 56% Racing - Open World
Darkout 54% Rpg - Action
Darkout 54% Rpg - Action
Dusty Revenge: Co-op Edition 52% Action - Co-Op
Explodemon 81% Platform
Face Noir 62% Adventure
Foreign Legion: Multi Massacre 66% Action - Multiplayer
Frozen Synapse Prime 64% Strategy
Burnin' Rubber 5 HD 88% Racing - Shooter
Gem Wars: Attack of the Jiblets 63% Casual - Action
Gun Metal 80% Action
Guns of Icarus Online 92% Multiplayer
Guns of Icarus Online 92% Multiplayer
Hacker Evolution 67% Simulation
Imperium Romanum 77% Strategy
Incoming Forces 76% Action
Jets'n'Guns Gold 88% Shoot 'Em Up
KnightShift 63% Rpg - Strategy
Litil Divil 85% Adventure
Litil Divil 85% Adventure
Making History II: The War of the World 72% Strategy
Mechanic Escape 81% Platform - Adventure
Memories of a vagabond 78% Rpg
Memories of a vagabond 78% Rpg
Murder Miners 81% Fps
NIGHTS Into Dreams 82% Action
Nikopol: Secrets of the Immortals 55% Adventure
Nikopol: Secrets of the Immortals 55% Adventure
Nosferatu - The Wrath of Malachi 82% Fps - Horror
Nosferatu - The Wrath of Malachi 82% Fps - Horror
Nosferatu - The Wrath of Malachi 82% Fps - Horror
Spooky Cats 86% Action - Platform
Obulis 77% Puzzle
Of Carrots And Blood 70% Action - Coop
On My Own 60% Rpg - Survival
Paranautical Activity 67% Fps - Rogue-Like
Particula 66% Tower Defense - Coop
Pixel Piracy 64% Rpg - Strategy
Plain Sight 65% Action - Multiplayer
Platypus 83% Action - Coop
Platypus 83% Action - Coop
Platypus 83% Action - Coop
Power-Up 58% Shoot 'Em Up
RADical ROACH Deluxe Edition 51% Action
RADical ROACH Deluxe Edition 51% Action
Realms of the Haunting 70% Fps - Horror
Rabbit Hole 3D 60% Puzzle
Real Boxing 60% Sport
Real Boxing 60% Sport
8BitBoy 71% Platform
8BitBoy 71% Platform
Restaurant Empire II 60% Strategy
Rituals 61% Adventure
Rocket Birds: Hardboiled Chicken 76% Platform
Rush Bros 60% Platform
Rush for Glory 63% Tower Defense
SPACECOM 68% Strategy - Multiplayer
Sang-Froid 83% Action
Savage Lands 54% Rpg
Sid Meier's Civilization III: Complete 83% Strategy
Sinister City 64% Adventure
Skyborn 83% Rpg
Soulbringer 73% Rpg
Soulbringer 73% Rpg
Space Farmers - DOUBLE PACK! (includes 2 copies of the game) 77% Action - Coop
Space Hack 50% Rpg
Space Hack 50% Rpg
Space Hack 50% Rpg
Spirits 72% Puzzle - Action
Steel Storm Burning Retribution and DLCs: 2 copies of Steel Storm: Burning Retribution + 2 copies of the Weapon Pack DLC 81% Action
Stigmat 71% Platform
Street Racing Syndicate 82% Racing
Subject 9 / Rpg - Action
Syberia 2 84% Adventure
Symphony 87% Shoot 'Em Up
TIMEframe 82% Indie
Tank Universal 56% Fps - Action
Terra Incognita - Chapter One: The Descendant 71% Rpg
Terra Incognita - Chapter One: The Descendant 71% Rpg
The Culling of the Cows 70% Tower Defence
The Journey Down: Chapter One 87% Adventure
The Journey Down - Chapter Two 96% Adventure
The Sun at Night / Action - Platform
The Witch's Yarn / Adveture
Tidalis 70% Puzzle
Tidalis 70% Puzzle
Turbo Pug 92% Platform
War of the Roses: Kingmaker / Multiplayer - Fps
War of the Roses: Kingmaker / Multiplayer - Fps
Wasteland Angel 58% Action
Weird Worlds: Return to Infinite Space 71% Strategy - Rogue-like
Who's Your Daddy 72% Multiplayer
Windforge 70% Rpg
iBomber Defence Pacific 85% Strategy
12 Labours of Hercules 93% Strategy
12 Labours of Hercules 93% Strategy
Sonic the Hedgehog 4 - Episode I 51% Platform
Blood of Old / Strategy
BoxesWithGuns 72% Arcade
ASMR Universe 66% Casual
Biology Battle / Arcade - Bullet Hell
Blast Em! 53% Shoot 'Em Up
Coldfire Keep 40% Rpg
Collider / Arcade - Multiplayer
Commando Jack 61% Tower Defense
Crystals of Time 51% Adventure
Crystals of Time 51% Adventure
Desert Thunder 53% Action
Desert Thunder 53% Action
Desert Thunder 53% Action
Nux 41% Platform
One Day for Ched 47% Fps
Drive To Hell / Bullet Hell
Dungeons: The Eye of Draconus 50% Action - Beat 'Em Up
BoomTown! Deluxe 60% Strategy
Calcu-Late 50% Adventure - Rpg
Calcu-Late 50% Adventure - Rpg
Castle 44% Puzzle
Victim of Xen 52% Rpg
World War II: Panzer Claws 65% Rts - Strategy
BorderZone 55% Rpg - Action
Escape Machines 43% Strategy - Rpg
Flight of the Icarus 37% Action - Fps
Grimind 71% Adventure - Horror
Hacker Evolution: Untold 58% Simulation
Holy Avatar vs. Maidens of the Dead 56% Rpg
Mata Hari 56% Adventure
Metrocide 55% Indie
Neon Hardcorps 47% Action
Neon Hardcorps 47% Action
Ocean City Racing 37% Racing
QuestRun 53% Rpg
Rhythm Destruction 47% Rhythm
Skyward Collapse 44% Strategy
Heroes & Legends: Conquerors of Kolhar 61% Rpg
Cyborg Detonator + Beast Blaster + Zombie Boom / Action
Glacier 3: The Meltdown 38% Racing
Glacier 3: The Meltdown 38% Racing
Glacier 3: The Meltdown 38% Racing
Greed: Black Border 44% Rpg
Hacker Evolution Duality 33% Simulation
Huntsman: The Orphanage 37% Horror
Huntsman: The Orphanage 37% Horror
Krunch / Action
Ludwig / Adventure
Lost Civilization 47% Adventure
Lost Civilization 47% Adventure
Lup 48% Platform
Metal Planet 29% Fps
Rise of the Ancients 41% Tower Defense
Starion Tactics 27% Strategy
Bloop 33% Puzzle
Steel & Steam / Rpg
Shattered Haven 45% Action
Racer8 43% Racing
Strayed / Survival
Pressure / Racing

DLCs

Sonic Adventure 2: Battle
Vanguard Princess Director's Cut DLC
Vanguard Princess Hilda Rize DLC
Vanguard Princess Kurumi DLC
Vanguard Princess Lilith DLC
Battle Islands Commanders - E3 Exclusive Crate
Gems of War – Demon Hunter Bundle
HAWKEN – Prosk Starter Bundle
Gotham City Impostors Free to Play: Professional Impostor Kit
Total War Battles: KINGDOM – Exclusive Humble Banner Heraldry
Total War Battles: KINGDOM 1000 in-game gold ($10 value)
Total War: ARENA – Exclusive Humble Warrior Greek Shield (available in Closed Beta)
Duelyst - 20 Spirit Orbs
Duelyst - Cosmetics Bundle
SolForge — Dinosaur Starter

GAMES NOT ON STEAM:

Combat Cats (Desura)
Triera (Desura)
CAFE 0 ~The Drowned Mermaid~ DELUXE (Desura)
Data Hacker: Corruption (DESURA)
Alchemy Mysteries: Prague Legends (DESURA)
Sinister City (DESURA)
12 Labours of Hercules (DESURA)
World of Warship (Key not on Steam)
Heroes of Might & Magic IV: Complete Edition (Uplay)
Might & Magic 1 to 6 collection (Uplay)
Might & Magic Heroes Online - Angel Starter Pack (Not key on steam but on http://clb.heroes-online.com/)
Warhammer 40,000: Space Wolf (Android)
The Horus Heresy: Drop Assault - Warmaster's Edition (Android):
Spaceteam (Android)
The last Express (Android)
Tilt to Live 2: Redonkulous (android)
Indie Game Magazine Voucher April 2015 issue voucher
Indie Game Magazine Voucher April 2014 issue voucher
Race the Sun (key on Flippfly)
The Wanderers (Indiegamestand)
Snake Blocks (Indiegamestand)

PROGRAMS

FlowCanvas
UFPS: Ultimate FPS
Inventory Pro

You can propose me any extra key you have, just look here to check if I don't have them already

Games Owned

Or Just link me your list of games if you have one.

You can also check there my Wishlist if you want a better idea of the genres I like. To summarize that I like strategy, rpg, action, original indie games but not only. Just please don't offer me rpg maker games, platform, puzzle games or similar. I got too many of those in bundles really.

Steam Account
Rep Pages:
Indie Game Swap - Page 1 - Page 2
Steam Game Swap - Page 1 -Page 2 - Page 3 - Page 4
Game Trade - Page 1 - Page 2
Indiegala - Rep Page
submitted by NibaTCat to SteamGameSwap [link] [comments]

These are the statistical top 500 movies of all time, according to 23 different websites

Hey everyone, great to be back again. Some of you might remember a similar title from a post I made back in April, where I made a list of the top 250 movies with 13 sources, or a preview of this list I made last month.
I want to emphasize that this is NOT an official ranking nor my personal ranking; it is just a statistical and, personally, interesting look at 500 amazing movies. These rankings reflect the opinions of thousands of critics and millions of people around the world. And I am glad that this list is able to cover a wide range of genres, decades, and countries. So before I get bombarded with "Why isn't X on here?" or "How is X above Y?" comments, I wanted to clear that up.
I sourced my data from Sight & Sound (both critic and director lists), TSPDT, iCheckMovies, 11 domestic websites (Rotten Tomatoes, Metacritic, IMDb, Letterboxd, TMDb, Trakt, Blu-Ray, MovieLens, RateYourMusic, Criticker, and Critics Choice), and 9 international audience sites (FilmAffinity, Douban, Naver, MUBI, Filmweb, Kinopoisk, CSFD, Moviemeter, and Senscritique). This balance of domestic/international ratings made the list more well-rounded and internationally representative (sites from Spain, China, Korea, Poland, Russia, Czech Republic, Netherlands, and France).
As for my algorithm, I weighted websites according to both their Alexa ranking and their number of votes compared to other sites. For example, since The Godfather has hundreds of thousands of votes on Letterboxd but only a couple thousand on Metacritic, Letterboxd would be weighted more heavily. After obtaining the weighted averages, I then added the movie's iCheckMovies' favs/checks ratio and TSPDT ranking, if applicable. Regarding TSPDT, I included the top 2000 movies; as an example of my calculations, Rear Window's ranking of #41 would add (2000-41)/2000=0.9795 points to its weighted average. I removed movies that had <7-8K votes on IMDb, as these mostly had low ratings and numbers of votes across different sites as well. For both Sight & Sound lists, I added between 0.5 and 1 point to a movie's score based on its ranking, which I thought was an adequate reflection of how difficult it is to be included on these lists. As examples, a #21 movie would have 0.9 points added while a #63 would have 0.69 points.
So without further ado, the statistical top 500 movies ever made. I separated the scores into overall, critics, domestic, and international columns to make comparisons easier. This list on Letterboxd.
Ranking Title Overall Score Critics Domestic International Year Director
1 The Godfather 93.89 97.73 90.50 89.36 1972 Francis Ford Coppola
2 The Godfather: Part II 91.93 93.30 89.04 88.06 1974 Francis Ford Coppola
3 Seven Samurai 91.05 97.38 87.63 85.90 1954 Akira Kurosawa
4 12 Angry Men 90.45 95.45 88.74 88.62 1957 Sidney Lumet
5 City Lights 89.94 96.75 85.67 85.93 1931 Charlie Chaplin
6 The Good, the Bad and the Ugly 89.45 91.20 87.81 86.59 1966 Sergio Leone
7 The Shawshank Redemption 89.41 82.95 89.49 89.18 1994 Frank Darabont
8 Psycho 89.29 95.23 85.70 85.01 1960 Alfred Hitchcock
9 Modern Times 89.28 95.55 85.21 85.37 1936 Charlie Chaplin
10 Schindler's List 89.08 93.80 87.22 87.29 1993 Steven Spielberg
11 Pulp Fiction 88.85 92.60 87.69 86.42 1994 Quentin Tarantino
12 Rear Window 88.63 97.65 85.40 83.33 1954 Alfred Hitchcock
13 One Flew Over the Cuckoo's Nest 88.55 87.38 86.28 86.97 1975 Miloš Forman
14 Apocalypse Now 88.54 93.85 85.24 83.48 1979 Francis Ford Coppola
15 Tokyo Story 88.49 98.30 85.16 83.76 1953 Yasujirō Ozu
16 Spirited Away 88.34 93.78 86.80 85.91 2001 Hayao Miyazaki
17 GoodFellas 88.03 91.48 87.00 84.03 1990 Martin Scorsese
18 Vertigo 88.02 95.60 84.05 82.76 1958 Alfred Hitchcock
19 Singin' in the Rain 88.01 97.65 83.95 83.13 1952 Gene Kelly, Stanley Donen
20 Sunset Boulevard 88.00 95.45 85.44 84.22 1950 Billy Wilder
21 Citizen Kane 87.83 99.03 83.06 82.22 1941 Orson Welles
22 Harakiri 87.79 85.83 88.00 86.29 1962 Masaki Kobayashi
23 Rashomon 87.74 96.55 83.52 82.73 1950 Akira Kurosawa
24 Once Upon a Time in the West 87.71 86.65 85.48 84.62 1968 Sergio Leone
25 Fanny and Alexander 87.54 97.30 83.15 83.00 1982 Ingmar Bergman
26 The Lord of the Rings: The Return of the King 87.40 92.59 86.06 85.38 2003 Peter Jackson
27 Andrei Rublev 87.39 91.90 83.80 83.94 1966 Andrei Tarkovsky
28 The Passion of Joan of Arc 87.39 94.65 83.88 83.57 1928 Carl Theodor Dreyer
29 Sherlock Jr. 87.36 96.45 83.64 85.60 1924 Buster Keaton
30 Bicycle Thieves 87.35 94.70 83.91 83.46 1948 Vittorio De Sica
31 Casablanca 87.35 98.00 85.25 82.62 1942 Michael Curtiz
32 Some Like It Hot 87.28 95.30 82.11 83.73 1959 Billy Wilder
33 Persona 87.22 88.20 84.28 83.07 1966 Ingmar Bergman
34 Children of Paradise 87.21 95.33 84.81 83.27 1945 Marcel Carné
35 Taxi Driver 87.14 93.88 83.60 82.06 1976 Martin Scorsese
36 The Dark Knight 87.08 88.81 86.96 84.80 2008 Christopher Nolan
37 Metropolis 87.03 96.00 82.92 84.01 1927 Fritz Lang
38 Sunrise: A Song of Two Humans 87.02 93.95 82.23 84.02 1927 F. W. Murnau
39 Stalker 87.02 92.30 83.86 83.29 1979 Andrei Tarkovsky
40 Pather Panchali 86.96 94.35 84.40 82.80 1955 Satyajit Ray
41 Lawrence of Arabia 86.95 97.65 83.76 81.49 1962 David Lean
42 M 86.91 96.20 84.34 82.92 1931 Fritz Lang
43 Ordet 86.82 98.10 83.08 82.55 1955 Carl Theodor Dreyer
44 It's a Wonderful Life 86.77 90.45 85.17 84.90 1946 Frank Capra
45 Satantango 86.76 90.45 84.58 84.21 1994 Béla Tarr
46 Parasite 86.72 96.34 86.55 83.15 2019 Bong Joon-ho
47 The 400 Blows 86.70 96.70 83.14 82.60 1959 François Truffaut
48 Ikiru 86.56 93.80 85.48 84.29 1952 Akira Kurosawa
49 Mirror 86.50 95.60 82.75 82.34 1975 Andrei Tarkovsky
50 Come and See 86.50 90.50 85.22 83.13 1985 Elem Klimov
51 The Apartment 86.48 92.00 84.09 82.99 1960 Billy Wilder
52 The General 86.45 91.45 82.59 83.87 1926 Buster Keaton, Clyde Bruckman
53 Grave of the Fireflies 86.43 95.13 85.85 82.97 1988 Isao Takahata
54 Le Trou 86.41 89.95 85.46 85.14 1960 Jacques Becker
55 The Battle of Algiers 86.37 95.40 82.64 81.24 1966 Gillo Pontecorvo
56 A Man Escaped 86.34 96.50 83.67 82.03 1956 Robert Bresson
57 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb 86.34 95.85 84.37 83.03 1964 Stanley Kubrick
58 Paths of Glory 86.25 92.30 84.97 84.48 1957 Stanley Kubrick
59 The Lord of the Rings: The Fellowship of the Ring 86.24 88.75 85.61 84.31 2001 Peter Jackson
60 All About Eve 86.23 96.95 83.69 83.20 1950 Joseph L. Mankiewicz
61 Star Wars: The Empire Strikes Back 86.21 86.93 87.05 83.29 1980 Irvin Kershner
62 High and Low 86.16 86.55 86.08 84.26 1963 Akira Kurosawa
63 The Great Dictator 86.15 91.10 84.25 85.03 1940 Charlie Chaplin
64 The Silence of the Lambs 86.12 88.68 85.29 84.17 1991 Jonathan Demme
65 2001: A Space Odyssey 86.06 88.35 82.93 81.54 1968 Stanley Kubrick
66 North by Northwest 86.03 96.38 83.17 81.74 1959 Alfred Hitchcock
67 Double Indemnity 85.91 94.38 83.84 83.12 1944 Billy Wilder
68 Ugetsu 85.91 97.25 82.69 81.91 1953 Kenji Mizoguchi
69 Woman in the Dunes 85.91 93.95 84.71 83.77 1964 Hiroshi Teshigahara
70 Sansho the Bailiff 85.88 95.50 84.24 82.21 1954 Kenji Mizoguchi
71 Once Upon a Time in America 85.87 86.10 83.84 85.53 1984 Sergio Leone
72 City of God 85.86 84.08 86.39 84.00 2002 Fernando Meirelles, Kátia Lund
73 Late Spring 85.81 94.75 83.74 82.27 1949 Yasujirō Ozu
74 Barry Lyndon 85.80 87.95 82.44 82.30 1975 Stanley Kubrick
75 The Lord of the Rings: The Two Towers 85.78 88.78 85.00 84.29 2002 Peter Jackson
76 Raging Bull 85.77 90.48 82.01 81.80 1980 Martin Scorsese
77 Chinatown 85.72 94.08 83.32 80.69 1974 Roman Polanski
78 Alien 85.69 91.73 84.76 82.62 1979 Ridley Scott
79 Ran 85.68 94.70 83.93 82.52 1985 Akira Kurosawa
80 The Seventh Seal 85.67 92.10 83.52 82.13 1957 Ingmar Bergman
81 The Kid 85.61 92.85 82.91 84.94 1921 Charlie Chaplin
82 Wild Strawberries 85.51 90.05 83.38 82.24 1957 Ingmar Bergman
83 A Brighter Summer Day 85.50 93.38 84.07 81.01 1991 Edward Yang
84 85.48 91.20 82.59 81.09 1963 Federico Fellini
85 The Pianist 85.38 88.69 83.31 84.80 2002 Roman Polanski
86 The World of Apu 85.38 93.20 84.38 83.09 1959 Satyajit Ray
87 La Dolce Vita 85.37 94.38 81.40 80.48 1960 Federico Fellini
88 Star Wars 85.33 90.03 85.22 81.92 1977 George Lucas
89 The Best of Youth 85.31 88.78 85.31 83.64 2003 Marco Tullio Giordana
90 The Gold Rush 85.29 94.55 81.93 83.59 1925 Charlie Chaplin
91 The Third Man 85.26 96.50 82.91 80.21 1949 Carol Reed
92 The Treasure of the Sierra Madre 85.20 96.68 82.77 81.81 1948 John Huston
93 I Am Cuba 85.18 93.60 82.00 83.44 1964 Mikhail Kalatozov
94 The Lives of Others 85.14 89.03 84.12 82.73 2006 Florian Henckel von Donnersmarck
95 Witness for the Prosecution 85.13 92.65 83.67 84.99 1957 Billy Wilder
96 Touch of Evil 85.11 95.70 81.36 79.65 1958 Orson Welles
97 WALL-E 85.10 92.09 82.82 82.64 2008 Andrew Stanton
98 Scenes from a Marriage 85.02 86.85 84.80 83.06 1974 Ingmar Bergman
99 To Be or Not to Be 84.99 89.58 82.52 83.39 1942 Ernst Lubitsch
100 A Separation 84.92 94.24 83.34 80.90 2011 Asghar Farhadi
101 The Night of the Hunter 84.91 96.93 81.17 79.06 1955 Charles Laughton
102 Three Colors: Red 84.87 96.78 83.32 80.78 1994 Krzysztof Kieślowski
103 Yojimbo 84.87 91.55 83.85 82.99 1961 Akira Kurosawa
104 Back to the Future 84.85 89.38 84.47 81.94 1985 Robert Zemeckis
105 My Neighbor Totoro 84.84 87.53 83.44 83.17 1988 Hayao Miyazaki
106 In the Mood for Love 84.84 83.87 82.55 81.20 2000 Wong Kar-wai
107 Princess Mononoke 84.83 81.18 85.02 84.24 1999 Hayao Miyazaki
108 Saving Private Ryan 84.82 90.35 83.94 82.50 1998 Steven Spielberg
109 Cinema Paradiso 84.78 82.30 84.73 83.43 1988 Giuseppe Tornatore
110 La Jetée 84.75 89.25 83.27 81.80 1962 Chris Marker
111 The Wages of Fear 84.71 94.60 82.99 82.80 1953 Henri-Georges Clouzot
112 Das Boot 84.68 90.13 83.62 82.71 1981 Wolfgang Petersen
113 Fight Club 84.65 71.18 86.39 84.95 1999 David Fincher
114 Nights of Cabiria 84.64 92.25 82.72 83.13 1957 Federico Fellini
115 La Strada 84.61 92.60 80.79 82.78 1954 Federico Fellini
116 Amadeus 84.53 89.55 82.88 82.59 1984 Miloš Forman
117 Forrest Gump 84.50 76.90 83.06 86.12 1994 Robert Zemeckis
118 Spider-Man: Into the Spider-Verse 84.49 90.41 85.03 81.69 2018 Peter Ramsey, Rodney Rothman, Bob Persichetti
119 The Lion King 84.45 88.28 77.22 84.09 1994 Rob Minkoff, Roger Allers
120 Inception 84.43 82.07 84.18 84.17 2010 Christopher Nolan
121 Whiplash 84.42 89.53 84.87 81.96 2014 Damien Chazelle
122 The Shop Around the Corner 84.40 94.43 80.85 82.37 1940 Ernst Lubitsch
123 Rififi 84.38 92.00 83.03 81.58 1955 Jules Dassin
124 Umberto D. 84.38 92.63 82.20 81.75 1952 Vittorio De Sica
125 Army of Shadows 84.37 95.30 82.98 80.50 1969 Jean-Pierre Melville
126 Blade Runner 84.34 85.85 82.57 80.29 1982 Ridley Scott
127 Samurai Rebellion 84.33 89.05 82.85 83.84 1967 Masaki Kobayashi
128 Close-Up 84.31 85.70 81.99 80.69 1990 Abbas Kiarostami
129 The Circus 84.29 90.35 81.69 83.14 1928 Charlie Chaplin
130 Raiders of the Lost Ark 84.19 89.33 84.31 80.57 1981 Steven Spielberg
131 Grand Illusion 84.18 95.35 81.85 79.78 1937 Jean Renoir
132 A Clockwork Orange 84.18 82.78 82.37 82.51 1971 Stanley Kubrick
133 Eternal Sunshine of the Spotless Mind 84.07 89.37 83.36 80.57 2004 Michel Gondry
134 A Woman Under the Influence 84.01 87.40 82.51 80.40 1974 John Cassavetes
135 The Cranes Are Flying 84.00 89.30 82.76 82.40 1957 Mikhail Kalatozov
136 Yi Yi 83.91 91.25 82.48 79.64 2000 Edward Yang
137 To Kill a Mockingbird 83.91 89.13 81.98 82.20 1962 Robert Mulligan
138 The Matrix 83.90 77.78 84.54 83.06 1999 Wachowski Sisters
139 The Sting 83.90 85.73 82.71 83.36 1973 George Roy Hill
140 The Mother and the Whore 83.87 94.55 81.24 79.82 1973 Jean Eustache
141 Se7en 83.86 72.15 84.91 84.48 1995 David Fincher
142 Early Summer 83.85 94.45 82.19 82.01 1951 Yasujirō Ozu
143 Werckmeister Harmonies 83.80 91.73 80.89 81.93 2000 Béla Tarr, Ágnes Hranitzky
144 Coco 83.80 86.21 82.73 83.66 2017 Adrian Molina, Lee Unkrich
145 Toy Story 83.76 95.03 82.30 80.15 1995 John Lasseter
146 It Happened One Night 83.76 90.83 81.46 81.76 1934 Frank Capra
147 Reservoir Dogs 83.74 84.68 83.12 81.99 1992 Quentin Tarantino
148 Unforgiven 83.73 88.55 82.24 81.59 1992 Clint Eastwood
149 The Deer Hunter 83.73 87.68 80.57 82.06 1978 Michael Cimino
150 The Young and the Damned 83.72 87.10 82.58 80.82 1950 Luis Buñuel
151 The Best Years of Our Lives 83.68 92.63 81.19 81.20 1946 William Wyler
152 The Leopard 83.66 97.30 79.56 79.57 1963 Luchino Visconti
153 Time of the Gypsies 83.65 86.05 83.31 82.29 1988 Emir Kusturica
154 Ali: Fear Eats the Soul 83.61 96.70 80.51 79.97 1974 Rainer Werner Fassbinder
155 Raise the Red Lantern 83.57 90.25 82.37 81.81 1991 Zhang Yimou
156 Terminator 2: Judgment Day 83.57 82.00 84.11 81.83 1991 James Cameron
157 The Shining 83.55 75.35 84.08 81.80 1980 Stanley Kubrick
158 Viridiana 83.54 92.95 80.68 80.81 1961 Luis Buñuel
159 Portrait of a Lady on Fire 83.52 93.59 83.08 80.02 2019 Céline Sciamma
160 Greed 83.51 97.05 80.65 80.64 1924 Erich von Stroheim
161 Gone with the Wind 83.48 92.90 80.01 81.68 1939 Victor Fleming
162 There Will Be Blood 83.48 89.65 81.91 79.02 2007 Paul Thomas Anderson
163 L.A. Confidential 83.46 91.63 82.08 80.81 1997 Curtis Hanson
164 Paris, Texas 83.46 83.95 82.89 81.66 1984 Wim Wenders
165 Throne of Blood 83.45 91.30 82.18 81.49 1957 Akira Kurosawa
166 Toy Story 3 83.43 93.55 81.61 80.32 2010 Lee Unkrich
167 Memento 83.43 85.20 83.78 80.76 2000 Christopher Nolan
168 On the Waterfront 83.37 93.00 82.23 79.52 1954 Elia Kazan
169 Trip to the Moon 83.37 94.70 79.96 82.83 1902 Georges Méliès
170 The Rules of the Game 83.33 96.55 80.45 78.02 1939 Jean Renoir
171 Red Beard 83.32 74.15 83.41 83.27 1965 Akira Kurosawa
172 The Grapes of Wrath 83.32 95.45 80.42 80.34 1940 John Ford
173 Au Hasard Balthazar 83.29 98.08 77.93 77.54 1966 Robert Bresson
174 Autumn Sonata 83.29 84.85 83.09 82.66 1978 Ingmar Bergman
175 Annie Hall 83.28 93.18 80.58 80.58 1977 Woody Allen
176 The Conformist 83.27 96.68 79.92 78.58 1970 Bernardo Bertolucci
177 Rocco and His Brothers 83.24 84.73 81.95 81.68 1960 Luchino Visconti
178 Dersu Uzala 83.23 74.75 82.35 83.37 1975 Akira Kurosawa
179 Cool Hand Luke 83.21 93.05 82.22 79.83 1967 Stuart Rosenberg
180 Monty Python and the Holy Grail 83.18 91.98 82.96 79.30 1975 Terry Gilliam, Terry Jones
181 Le Samouraï 83.18 92.35 82.45 79.40 1967 Jean-Pierre Melville
182 Aliens 83.18 88.73 83.29 79.61 1986 James Cameron
183 PlayTime 83.16 93.50 80.22 78.80 1967 Jacques Tati
184 The Bridge on the River Kwai 83.14 90.58 81.93 80.24 1957 David Lean
185 The Red Shoes 83.13 93.15 82.82 79.96 1948 Michael Powell, Emeric Pressburger
186 American Beauty 83.10 87.15 81.93 81.13 1999 Sam Mendes
187 To Live 83.10 84.00 82.16 82.46 1994 Zhang Yimou
188 Battleship Potemkin 83.10 95.85 77.81 80.41 1925 Sergei Eisenstein
189 Day of Wrath 83.09 93.40 81.07 81.29 1943 Carl Theodor Dreyer
190 All Quiet on the Western Front 83.07 92.85 80.05 81.48 1930 Lewis Milestone
191 It's Such a Beautiful Day 83.07 91.25 83.62 79.77 2012 Don Hertzfeldt
192 Full Metal Jacket 83.06 81.53 82.21 82.54 1987 Stanley Kubrick
193 The Cabinet of Dr. Caligari 83.05 96.40 79.84 81.83 1920 Robert Wiene
194 Kes 83.03 97.80 79.59 80.55 1969 Ken Loach
195 The Usual Suspects 83.02 80.23 84.08 81.48 1995 Bryan Singer
196 The Cameraman 83.00 93.90 80.77 81.57 1928 Edward Segdwick, Buster Keaton
197 Aparajito 83.00 90.90 81.81 81.20 1956 Satyajit Ray
198 The Elephant Man 83.00 83.00 82.10 81.87 1980 David Lynch
199 Rebecca 82.98 90.08 81.08 80.93 1940 Alfred Hitchcock
200 Make Way for Tomorrow 82.97 95.80 81.72 80.14 1937 Leo McCarey
201 The Great Escape 82.97 87.68 82.29 80.66 1963 John Sturges
202 Your Name 82.97 84.55 84.07 81.29 2016 Makoto Shinkai
203 Limelight 82.92 88.00 79.85 83.02 1952 Charlie Chaplin
204 Breathless 82.92 91.95 78.88 79.10 1960 Jean-Luc Godard
205 Underground 82.91 80.75 81.26 82.64 1995 Emir Kusturica
206 The Man Who Shot Liberty Valance 82.88 91.90 81.08 79.53 1962 John Ford
207 Aguirre: The Wrath of God 82.87 94.55 80.46 78.62 1972 Werner Herzog
208 Oldboy 82.86 78.98 84.00 81.27 2003 Park Chan-wook
209 Up 82.84 90.28 81.32 80.86 2009 Pete Docter
210 Anatomy of a Murder 82.84 94.00 80.57 80.02 1959 Otto Preminger
211 The Wild Bunch 82.84 90.35 79.45 80.12 1969 Sam Peckinpah
212 The Hunt 82.75 82.08 82.79 82.62 2012 Thomas Vinterberg
213 Il Sorpasso 82.74 95.75 82.84 79.57 1962 Dino Risi
214 The Last Laugh 82.74 95.25 79.47 81.61 1924 F. W. Murnau
215 A Streetcar Named Desire 82.73 94.60 79.89 80.26 1951 Elia Kazan
216 Life Is Beautiful 82.73 68.45 83.60 85.57 1997 Roberto Benigni
217 A Short Film About Love 82.71 87.10 81.90 81.89 1988 Krzysztof Kieślowski
218 The Shop on Main Street 82.71 94.45 82.15 80.43 1965 Ján Kadár, Elmar Klos
219 Rio Bravo 82.71 92.10 80.46 79.80 1959 Howard Hawks
220 Roman Holiday 82.70 84.55 80.74 82.42 1953 William Wyler
221 Ivan's Childhood 82.69 94.80 81.25 80.37 1962 Andrei Tarkovsky
222 The Exterminating Angel 82.68 91.10 81.66 80.17 1962 Luis Buñuel
223 Trainspotting 82.68 85.20 81.57 81.21 1996 Danny Boyle
224 The Last Picture Show 82.67 94.15 79.90 79.56 1971 Peter Bogdanovich
225 The Truman Show 82.64 89.63 79.70 82.15 1998 Peter Weir
226 Memories of Murder 82.64 82.88 82.68 80.94 2003 Bong Joon-ho
227 Faust 82.62 89.70 80.23 81.94 1926 F. W. Murnau
228 Sans Soleil 82.62 83.90 79.45 80.51 1983 Chris Marker
229 Song of the Sea 82.57 87.63 80.59 82.23 2014 Tomm Moore
230 Léon: The Professional 82.55 67.38 84.05 84.07 1994 Luc Besson
231 Fargo 82.54 87.45 82.36 79.19 1996 Coen Brothers
232 Solaris 82.54 89.95 80.91 79.69 1972 Andrei Tarkovsky
233 Sweet Smell of Success 82.52 96.53 80.81 77.62 1957 Alexander Mackendrick
234 For a Few Dollars More 82.52 79.28 82.38 83.15 1965 Sergio Leone
235 White Heat 82.51 90.65 80.77 81.24 1949 Raoul Walsh
236 Brief Encounter 82.50 88.35 80.81 81.03 1945 David Lean
237 Wings of Desire 82.49 85.70 81.30 80.42 1987 Wim Wenders
238 Diabolique 82.47 90.70 81.27 80.73 1955 Henri-Georges Clouzot
239 An Autumn Afternoon 82.45 91.95 81.68 79.85 1962 Yasujirō Ozu
240 The Tale of the Princess Kaguya 82.44 90.63 81.16 80.43 2013 Isao Takahata
241 Amarcord 82.41 85.95 79.26 80.73 1973 Federico Fellini
242 Heat 82.40 79.08 82.03 81.73 1995 Michael Mann
243 L'Atalante 82.40 95.60 78.32 78.10 1934 Jean Vigo
244 Django Unchained 82.39 83.44 82.23 81.94 2012 Quentin Tarantino
245 Jeanne Dielman, 23 Commerce Quay, 1080 Brussels 82.38 95.50 78.73 79.69 1975 Chantal Akerman
246 Kind Hearts and Coronets 82.38 95.60 80.80 79.72 1949 Robert Hamer
247 Dog Day Afternoon 82.37 88.40 81.11 79.80 1975 Sidney Lumet
248 Forbidden Games 82.37 93.75 80.36 80.99 1952 René Clément
249 The Crowd 82.35 93.35 79.21 81.23 1928 King Vidor
250 Notorious 82.35 96.78 79.96 78.21 1946 Alfred Hitchcock
251 Mary and Max 82.35 88.05 80.95 82.42 2009 Adam Elliot
252 Persepolis 82.34 88.95 80.09 80.77 2007 Marjane Satrapi, Vincent Paronnaud
253 Howl's Moving Castle 82.33 78.71 82.63 83.10 2004 Hayao Miyazaki
254 Nausicaä of the Valley of the Wind 82.33 85.10 81.54 82.03 1984 Hayao Miyazaki
255 Safety Last! 82.33 92.25 80.95 81.10 1923 Fred C. Newmeyer, Sam Taylor
256 Rosemary's Baby 82.32 94.78 79.99 78.69 1968 Roman Polanski
257 L'Avventura 82.32 92.10 79.08 78.03 1960 Michelangelo Antonioni
258 The Searchers 82.32 93.90 78.16 76.66 1956 John Ford
259 La Haine 82.30 90.60 82.38 79.56 1995 Mathieu Kassovitz
260 Three Colors: Blue 82.30 88.28 81.55 79.23 1993 Krzysztof Kieślowski
261 Chungking Express 82.30 79.95 82.29 80.73 1994 Wong Kar-wai
262 Inside Out 82.29 93.66 80.27 79.85 2015 Pete Docter
263 Where is the Friend's Home? 82.28 89.25 81.22 80.21 1987 Abbas Kiarostami
264 Cries and Whispers 82.27 85.45 81.02 80.80 1972 Ingmar Bergman
265 Napoleon 82.22 93.25 81.89 78.99 1927 Abel Gance
266 Paper Moon 82.19 83.08 81.37 81.29 1973 Peter Bogdanovich
267 The Spirit of the Beehive 82.17 89.83 79.31 78.91 1973 Víctor Erice
268 A Special Day 82.16 90.20 81.11 81.25 1977 Ettore Scola
269 Nostalghia 82.15 83.00 80.91 81.23 1983 Andrei Tarkovsky
270 Network 82.13 85.45 82.36 79.08 1976 Sidney Lumet
271 L'Eclisse 82.11 84.70 79.78 78.81 1962 Michelangelo Antonioni
272 Mr. Smith Goes to Washington 82.09 80.83 81.78 81.15 1939 Frank Capra
273 Sanjuro 82.09 91.90 81.67 80.85 1962 Akira Kurosawa
274 Badlands 82.06 93.38 79.77 77.21 1973 Terrence Malick
275 Vivre Sa Vie 82.06 85.20 80.12 79.83 1962 Jean-Luc Godard
276 Nobody Knows 82.06 87.18 81.12 81.15 2004 Hirokazu Koreeda
277 No Country for Old Men 82.05 90.68 80.56 78.47 2007 Coen Brothers
278 Spring, Summer, Fall, Winter... and Spring 82.05 86.05 80.76 80.62 2003 Kim Ki-duk
279 La Notte 82.04 78.35 81.45 81.11 1961 Michelangelo Antonioni
280 The Celebration 82.04 84.23 81.34 80.08 1998 Thomas Vinterberg
281 In the Name of the Father 82.04 84.90 81.14 81.85 1993 Jim Sheridan
282 I Am a Fugitive from a Chain Gang 82.02 89.55 80.18 81.56 1932 Mervyn LeRoy
283 Shoplifters 82.01 92.39 80.60 79.31 2018 Hirokazu Koreeda
284 Finding Nemo 82.01 92.60 80.13 78.76 2003 Andrew Stanton, Lee Unkrich
285 Z 81.98 87.55 82.21 79.59 1969 Costa-Gavras
286 The Phantom Carriage 81.96 95.00 80.01 80.32 1921 Victor Sjöström
287 Manhattan 81.95 86.23 80.50 79.81 1979 Woody Allen
288 Rome, Open City 81.94 95.40 80.45 79.27 1945 Robert Rossellini
289 Children of Heaven 81.93 80.15 81.24 82.01 1997 Majid Majidi
290 The Green Mile 81.92 71.93 82.95 84.38 1999 Frank Darabont
291 The Iron Giant 81.91 86.61 80.88 79.95 1999 Brad Bird
292 The Sacrifice 81.90 80.30 80.47 81.37 1986 Andrei Tarkovsky
293 The Philadelphia Story 81.90 94.95 79.79 77.86 1940 George Cukor
294 The Twilight Samurai 81.90 86.10 81.07 81.13 2002 Yôji Yamada
295 Before Sunset 81.88 87.79 81.42 78.41 2004 Richard Linklater
296 Before Sunrise 81.86 84.40 82.24 79.44 1995 Richard Linklater
297 Castle in the Sky 81.85 81.63 81.49 82.06 1986 Hayao Miyazaki
298 The Departed 81.84 86.92 82.82 79.04 2006 Martin Scorsese
299 Brazil 81.83 90.23 80.61 78.37 1985 Terry Gilliam
300 Incendies 81.81 83.85 81.88 80.74 2011 Denis Villenueve
301 The Maltese Falcon 81.81 95.65 80.24 77.28 1941 John Huston
302 The Wizard of Oz 81.77 98.03 79.38 77.17 1939 Victor Fleming
303 Le Cercle Rouge 81.76 90.03 80.81 78.54 1970 Jean-Pierre Melville
304 Monsieur Verdoux 81.76 89.80 78.55 81.34 1947 Charlie Chaplin
305 The Return 81.72 84.85 80.02 80.96 2003 Andrey Zvyagintsev
306 Secrets & Lies 81.71 90.73 80.29 78.66 1996 Mike Leigh
307 The Hidden Fortress 81.70 91.25 80.79 80.72 1958 Akira Kurosawa
308 Pan's Labyrinth 81.69 92.59 81.60 76.08 2006 Guillermo del Toro
309 Amélie 81.69 79.64 81.96 80.27 2004 Jean-Pierre Jeunet
310 Ben-Hur 81.67 86.93 79.86 80.22 1959 William Wyler
311 Fitzcarraldo 81.67 75.80 81.06 81.21 1982 Werner Herzog
312 American History X 81.63 70.13 83.58 83.00 1998 Tony Kaye
313 Ace in the Hole 81.62 79.10 80.88 81.36 1951 Billy Wilder
314 Capernaum 81.62 81.83 80.52 82.18 2018 Nadine Labaki
315 Still Walking 81.61 90.30 80.92 79.48 2008 Hirokazu Koreeda
316 All About My Mother 81.61 88.77 79.56 78.80 1999 Pedro Almodóvar
317 The Discreet Charm of the Bourgeoisie 81.60 92.28 78.82 78.83 1972 Luis Buñuel
318 Platoon 81.60 88.70 79.52 80.45 1986 Oliver Stone
319 Farewell My Concubine 81.60 80.50 80.49 81.04 1993 Chen Kaige
320 Letter from an Unknown Woman 81.59 93.10 79.84 79.31 1948 Max Ophüls
321 The Grand Budapest Hotel 81.58 87.64 80.72 79.19 2014 Wes Anderson
322 The Virgin Spring 81.58 82.45 80.70 80.66 1960 Ingmar Bergman
323 The Red Balloon 81.57 90.20 79.93 80.30 1956 Albert Lamorisse
324 Stagecoach 81.57 94.58 77.69 78.94 1939 John Ford
325 Mulholland Drive 81.56 80.61 79.60 77.87 2001 David Lynch
326 A Matter of Life and Death 81.49 92.60 81.91 76.27 1946 Michael Powell, Emeric Pressburger
327 High Noon 81.48 90.58 79.27 78.94 1952 Fred Zinnemann
328 Orpheus 81.48 96.20 79.88 78.90 1950 Jean Cocteau
329 Life of Brian 81.47 82.98 80.78 79.81 1979 Terry Jones
330 Casino 81.46 74.23 81.54 81.75 1995 Martin Scorsese
331 Kagemusha 81.44 82.93 80.01 80.43 1980 Akira Kurosawa
332 Butch Cassidy and the Sundance Kid 81.43 76.08 80.53 81.85 1969 George Roy Hill
333 In a Lonely Place 81.43 92.45 80.42 78.77 1950 Nicholas Ray
334 Scarface 81.43 71.30 81.97 82.18 1983 Brian De Palma
335 A Short Film About Killing 81.42 87.35 79.89 80.38 1988 Krzysztof Kieślowski
336 Beauty and the Beast 81.41 92.05 79.28 78.32 1946 Jean Cocteau
337 The Hustler 81.39 92.45 80.43 78.97 1961 Robert Rossen
338 Cléo from 5 to 7 81.38 91.65 80.03 79.11 1962 Agnès Varda
339 Fireworks 81.37 90.15 80.01 79.63 1997 Takeshi Kitano
340 Room 81.36 88.41 80.43 79.48 2015 Lenny Abrahamson
341 Mad Max: Fury Road 81.35 90.39 79.76 77.80 2015 George Miller
342 Steamboat Bill, Jr. 81.32 95.75 79.30 79.23 1928 Charles Reisner, Buster Keaton
343 Judgment at Nuremberg 81.31 71.58 82.24 83.03 1961 Stanley Kramer
344 The Straight Story 81.30 87.15 79.64 79.88 1999 David Lynch
345 Meshes of the Afternoon 81.29 96.25 77.91 79.99 1943 Maya Deren, Alexandr Hackenschmied
346 Alice in the Cities 81.28 86.70 79.60 80.20 1974 Wim Wenders
347 Akira 81.28 80.90 81.12 79.98 1988 Katsuhiro Otomo
348 Good Will Hunting 81.27 79.38 81.97 81.05 1997 Gus Van Sant
349 The Miracle Worker 81.25 85.15 78.88 81.55 1962 Arthur Penn
350 Talk to Her 81.25 87.48 79.33 78.71 2002 Pedro Almodóvar
351 The Graduate 81.24 85.58 78.91 79.97 1967 Mike Nichols
352 Beauty and the Beast 81.22 92.28 79.20 78.77 1991 Gary Trousdale, Kirk Wise
353 The Heiress 81.19 94.45 80.20 79.76 1949 William Wyler
354 Fantasia 81.18 93.03 76.76 79.95 1940 Samuel Armstrong, James Algar
355 Au Revoir les Enfants 81.18 94.25 80.14 78.92 1987 Louis Malle
356 Three Billboards Outside Ebbing, Missouri 81.18 88.62 79.36 79.90 2017 Martin McDonagh
357 Inglourious Basterds 81.17 79.05 81.06 80.51 2009 Quentin Tarantino
358 Elevator to the Gallows 81.16 90.45 79.31 78.56 1958 Louis Malle
359 Gladiator 81.16 75.39 81.69 81.52 2000 Ridley Scott
360 Through a Glass Darkly 81.15 93.60 81.11 78.86 1961 Ingmar Bergman
361 Million Dollar Baby 81.15 87.41 77.43 80.72 2004 Clint Eastwood
362 Days of Heaven 81.15 90.75 80.19 77.08 1978 Terrence Malick
363 Do the Right Thing 81.15 90.78 80.26 77.04 1989 Spike Lee
364 Out of the Past 81.14 91.40 80.73 77.92 1947 Jacques Tourneur
365 Strangers on a Train 81.11 93.30 80.01 78.68 1951 Alfred Hitchcock
366 Blue Velvet 81.11 83.48 78.98 77.09 1986 David Lynch
367 That Obscure Object of Desire 81.09 89.40 79.59 78.11 1977 Luis Buñuel
368 What Ever Happened to Baby Jane? 81.08 80.23 80.74 80.75 1962 Robert Aldrich
369 My Night at Maud's 81.07 88.15 79.51 79.42 1969 Éric Rohmer
370 The Earrings of Madame de… 81.07 92.15 80.36 77.05 1953 Max Ophüls
371 The Conversation 81.04 89.23 80.03 77.44 1974 Francis Ford Coppola
372 The Killing 81.03 91.50 79.51 79.21 1956 Stanley Kubrick
373 The Servant 81.03 87.83 79.45 78.57 1963 Joseph Losey
374 The Intouchables 81.03 67.15 82.13 84.70 2011 Olivier Nakache, Éric Toledano
375 The Life and Death of Colonel Blimp 81.01 94.15 81.57 75.44 1943 Michael Powell, Emeric Pressburger
376 Jaws 81.01 90.98 79.91 75.70 1975 Steven Spielberg
377 Winter Light 81.01 73.55 81.51 79.95 1963 Ingmar Bergman
378 Love Exposure 81.01 80.88 82.23 79.55 2008 Sion Sono
379 Hiroshima Mon Amour 81.00 92.95 80.13 77.99 1959 Alain Resnais
380 Day for Night 80.98 92.55 80.21 78.27 1973 François Truffaut
381 Ratatouille 80.97 92.73 78.72 78.68 2007 Brad Bird
382 Ghost in the Shell 80.97 81.43 79.98 81.15 1995 Mamoru Oshii
383 Germany Year Zero 80.95 92.00 77.80 80.03 1948 Roberto Rossellini
384 Spotlight 80.93 93.00 79.75 77.55 2015 Tom McCarthy
385 Die Hard 80.93 79.58 81.11 79.43 1988 John McTiernan
386 Laura 80.93 93.80 79.70 78.47 1944 Otto Preminger
387 Sleuth 80.93 89.95 79.16 80.87 1972 Joseph L. Mankiewicz
388 The Diving Bell and the Butterfly 80.92 88.64 79.69 77.84 2007 Julian Schnabel
389 The Handmaiden 80.92 85.99 82.55 77.41 2016 Park Chan-wook
390 Stand by Me 80.90 80.20 81.28 79.54 1986 Rob Reiner
391 Wolf Children 80.90 80.15 80.40 81.27 2012 Mamoru Hosoda
392 Marriage Story 80.88 92.86 79.40 77.75 2019 Noam Baumbach
393 Shoeshine 80.87 93.75 79.02 79.38 1946 Vittorio De Sica
394 Freaks 80.85 84.70 77.66 80.31 1932 Tod Browning
395 Nosferatu 80.85 93.75 78.29 79.14 1922 F. W. Murnau
396 Dial M for Murder 80.84 77.60 81.17 81.31 1954 Alfred Hitchcock
397 Amour 80.81 90.90 77.74 78.19 2012 Michael Haneke
398 12 Years a Slave 80.80 94.00 79.74 76.94 2013 Steve McQueen
399 The Nightmare Before Christmas 80.77 85.38 79.26 79.69 1993 Henry Selick
400 Cabaret 80.77 84.68 77.34 80.69 1972 Bob Fosse
401 Central Station 80.77 83.28 80.91 78.52 1998 Walter Salles
402 Landscape in the Mist 80.74 71.35 80.76 80.28 1988 Theo Angelopoulos
403 1917 80.73 84.37 80.65 79.33 2019 Sam Mendes
404 Intolerance: Love's Struggle Throughout the Ages 80.71 93.98 75.69 78.01 1916 D. W. Griffith
405 Call Me by Your Name 80.71 91.25 79.43 77.87 2017 Luca Guadagnino
406 Midnight Cowboy 80.71 82.98 79.10 79.50 1969 John Schlesinger
407 Shadow of a Doubt 80.70 94.38 79.31 76.04 1943 Alfred Hitchcock
408 Interstellar 80.70 74.16 81.30 82.25 2014 Christopher Nolan
409 Hannah and Her Sisters 80.69 88.95 79.15 77.98 1986 Woody Allen
410 Monsters, Inc. 80.68 85.29 79.37 80.08 2001 Pete Docter, David Silverman
411 The Testament of Dr. Mabuse 80.65 85.85 79.40 79.38 1933 Fritz Lang
412 Downfall 80.64 83.53 81.54 78.55 2004 Oliver Hirschbiegel
413 Being There 80.64 87.30 79.42 78.06 1979 Hal Ashby
414 The Killer 80.63 92.60 79.27 78.66 1989 John Woo
415 My Left Foot: The Story of Christy Brown 80.63 93.23 78.13 79.15 1989 Jim Sheridan
416 Jean de Florette 80.60 88.40 80.18 79.69 1986 Claude Berri
417 The Big Lebowski 80.57 74.80 82.28 78.57 1998 Coen Brothers
418 The King's Speech 80.57 90.86 78.50 78.59 2010 Tom Hooper
419 Whisper of the Heart 80.55 79.98 80.80 80.31 1995 Yoshifumi Kondō
420 E.T. the Extra-Terrestrial 80.54 93.08 77.22 77.82 1982 Steven Spielberg
421 Infernal Affairs 80.54 79.83 79.92 80.22 2002 Andrew Lau, Alan Mak
422 The Prestige 80.54 72.22 82.71 81.38 2006 Christopher Nolan
423 Our Hospitality 80.54 92.85 77.72 79.58 1923 Buster Keaton, John G. Blystone
424 Zootopia 80.53 85.22 78.84 80.18 2016 Byron Howard, Rich Moore
425 Toy Story 2 80.49 92.59 78.51 77.05 1999 John Lasseter, Ash Brannon, Lee Unkrich
426 Klaus 80.48 75.00 81.07 81.41 2019 Sergio Pablos
427 The Big Sleep 80.45 92.10 79.74 77.58 1946 Howard Hawks
428 Ford v Ferrari 80.45 83.94 79.37 80.01 2019 James Mangold
429 Dead Poets Society 80.44 78.70 79.43 80.75 1989 Peter Weir
430 The Terminator 80.43 89.08 78.26 78.13 1984 James Cameron
431 Naked 80.43 84.48 80.39 77.34 1993 Mike Leigh
432 Dangal 80.41 83.00 79.68 80.56 2016 Nitesh Tiwari
433 Kwaidan 80.40 81.80 79.75 79.42 1964 Masaki Kobayashi
434 The Man Who Would Be King 80.40 90.55 78.24 77.79 1975 John Huston
435 Wild Tales 80.38 82.57 80.48 79.22 2014 Damián Szifron
436 Groundhog Day 80.38 80.08 79.31 79.35 1993 Harold Ramis
437 Catch Me If You Can 80.38 83.44 78.74 80.57 2002 Steven Spielberg
438 I Vitelloni 80.36 90.28 77.64 78.06 1953 Federico Fellini
439 The Big Heat 80.35 92.90 79.27 77.87 1953 Fritz Lang
440 The Double Life of Véronique 80.35 82.63 80.19 77.87 1991 Krzysztof Kieślowski
441 Who's Afraid of Virginia Woolf? 80.35 82.58 80.19 78.43 1966 Mike Nichols
442 Requiem for a Dream 80.33 71.39 81.39 80.93 2000 Darren Aronofsky
443 Rope 80.33 79.20 80.31 79.30 1948 Alfred Hitchcock
444 Love and Death 80.33 89.83 77.55 78.50 1975 Woody Allen
445 The Remains of the Day 80.29 86.88 78.75 78.80 1993 James Ivory
446 Jules and Jim 80.28 93.70 78.30 77.94 1962 François Truffaut
447 The Gospel According to Matthew 80.28 88.30 76.50 78.52 1964 Pier Paolo Pasolini
448 How to Train Your Dragon 80.27 81.97 79.45 80.24 2010 Chris Sanders, Dean DeBlois
449 Harry Potter and the Deathly Hallows: Part 2 80.27 88.50 78.81 78.53 2011 David Yates
450 Cat on a Hot Tin Roof 80.26 87.05 79.46 79.79 1958 Richard Brooks
451 The French Connection 80.26 93.35 78.04 76.89 1971 William Friedkin
452 Opening Night 80.25 78.05 80.50 79.25 1977 John Cassavetes
453 Hotel Rwanda 80.24 84.54 79.34 79.40 2004 Terry George
454 4 Months, 3 Weeks and 2 Days 80.22 92.51 77.76 76.22 2007 Cristian Mungiu
455 Tampopo 80.22 92.40 81.20 77.01 1985 Juzo Itami
456 Scarface 80.22 93.50 76.43 79.55 1932 Howard Hawks, Howard Hughes
457 The Face of Another 80.21 87.50 79.61 79.34 1966 Hiroshi Teshigahara
458 The Roaring Twenties 80.21 86.20 77.79 80.68 1939 Raoul Walsh
459 Pickpocket 80.20 93.80 76.41 76.47 1959 Robert Bresson
460 Kiki's Delivery Service 80.20 85.45 79.87 78.84 1989 Hayao Miyazaki
461 A Prophet 80.19 89.61 79.53 76.14 2009 Jacques Audiard
462 Zelig 80.19 90.00 76.50 80.29 1983 Woody Allen
463 Trouble in Paradise 80.18 88.20 79.35 77.62 1932 Ernst Lubitsch
464 Gran Torino 80.17 76.27 78.57 82.36 2008 Clint Eastwood
465 Last Year at Marienbad 80.16 88.25 78.29 77.37 1961 Alain Resnais
466 All the President's Men 80.15 85.95 80.48 76.46 1976 Alan J. Pakula
467 Breaking the Waves 80.15 79.85 78.46 79.55 1996 Lars von Trier
468 Indiana Jones and the Last Crusade 80.14 74.28 81.44 80.57 1989 Steven Spielberg
469 Divorce Italian Style 80.12 91.00 79.28 78.26 1961 Pietro Germi
470 Edward Scissorhands 80.12 78.65 78.09 80.73 1990 Tim Burton
471 The Thing 80.12 67.98 82.60 79.34 1982 John Carpenter
472 Perfect Blue 80.11 74.05 80.91 80.09 1997 Satoshi Kon
473 Down by Law 80.10 79.03 78.98 79.61 1986 Jim Jarmusch
474 Bringing Up Baby 80.10 90.75 78.25 76.45 1938 Howard Hawks
475 The Phantom of Liberty 80.09 85.10 78.89 78.66 1974 Luis Buñuel
476 Bonnie and Clyde 80.07 85.38 78.16 78.23 1967 Arthur Penn
477 The Incredibles 80.07 89.69 79.77 75.78 2004 Brad Bird
478 Rocky 80.04 79.73 79.17 79.29 1976 John G. Avildsen
479 His Girl Friday 80.03 94.15 79.24 76.72 1940 Howard Hawks
480 Mommy 80.03 80.79 80.39 79.13 2014 Xavier Dolan
481 Mon Oncle 80.03 88.00 78.03 78.76 1958 Jacques Tati
482 My Fair Lady 79.99 91.85 77.53 78.00 1964 George Cukor
483 Charade 79.98 85.55 79.37 78.72 1963 Stanley Donen
484 Stalag 17 79.95 87.13 79.62 77.79 1953 Billy Wilder
485 Boyhood 79.95 97.08 76.08 75.95 2014 Richard Linklater
486 The Secret in Their Eyes 79.95 82.49 81.27 77.67 2009 Juan José Campanella
487 Ninotchka 79.95 90.15 77.99 78.50 1939 Ernst Lubitsch
488 Pierrot le Fou 79.94 81.75 77.84 76.65 1965 Jean-Luc Godard
489 The Enigma of Kaspar Hauser 79.94 89.10 78.30 78.27 1974 Werner Herzog
490 Stroszek 79.94 88.40 79.50 77.77 1977 Werner Herzog
491 A Hard Day's Night 79.93 93.73 76.82 77.08 1964 Richard Lester
492 Onibaba 79.90 74.75 79.42 79.96 1964 Kaneto Shindo
493 Repulsion 79.85 92.68 77.29 76.57 1965 Roman Polanski
494 Like Stars on Earth 79.85 80.50 79.54 79.86 2007 Aamir Khan, Amole Gupte
495 Duck Soup 79.84 92.33 79.01 74.92 1933 Leo McCarey
496 Carlito's Way 79.83 70.28 79.16 82.01 1993 Brian De Palma
497 Nashville 79.82 93.23 76.89 74.92 1975 Robert Altman
498 The Triplets of Belleville 79.82 88.97 76.57 78.66 2003 Sylvain Chomet
499 Dr. Mabuse the Gambler 79.81 85.10 76.88 79.98 1922 Fritz Lang
500 Gone Girl 79.79 83.03 79.32 78.87 2014 David Fincher
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are there really professional gamblers video

Casino Professional GAMBLERS.....really? Discussion in 'Casino Forum' started by LarryS, Jul 8, 2015. Page 2 of 3 < Prev 1 2 3 Next > albalaha Active Member Founding Member. Joined: Dec 29, 2014 Likes: 99. Before talking too much about a professional, first lets understand who exactly is a professional. In layman's language: a person engaged in a specified activity as one's main paid ... Professional Gamblers: They're All The Same! Professional Gamblers ... I guess the latter does a disservice to the professional status of the true gamblers as the corrupt aren't really anything but criminals. From my point of view, I have read about many professional gamblers - the vast majority being interested and dedicated to horse racing. In this modern world of betting exchanges and ... Professional gamblers come from varied backgrounds - including horse trainers. Considering this line of work, it would seem to be a very good way to make money. However, let's get back to the start of the story. Jack Ramsden was a stockbroker until 1980, then decided to turn his hand to being a professional gambler. He had thirteen consecutive winning years (probably many more). “Do professional gamblers actually exist?” Yes. There are very many versions of what exactly it means to be a “professional gambler”, but ultimately it comes down to a few points: - “professional” SHOULD mean that the person’s livelihood is dependent upon net revenue from the activity in question (in this case, gambling). If you can survive without your net winnings, you’re not really a professional. That said, a lot of people abuse this terminology A professional gambler is a person who lives from gambling and spends most of his time at the casinos. Professional gamblers are actually earning their paychecks by making the right bets when they play at the live casino tables. Most people don’t consider gambling as a real job. However, there are a few people that can really call themselves professional gamblers and live the gambler’s lifestyle. However, there are pretty big downsides. Therefore, before making a decision to become a professional gambler, you should consider all the facts and really think about it. "So I read lots of books written by professional gamblers because it was a dream of mine to make a living doing something that I really loved because I always loved the horses and I always loved ... yes there are professional gamblers. mostly they play poker, black jack or any of the table games. the do not play slots. with slots they do no have control of the game. watch poker on tv. that will answer your question and you can see the pro's working on tv. Why 'DWTS' replaced Tom Bergeron and Erin Andrews. Wife's COVID death tips veteran from Trump to Biden. Report: LeBron James buys $36M Beverly Hills mansion There are very real Professional gamblers out there. It is just many keep it on the down-low about it for many reasons. Here is what qualifies you as a professional gambler: - 51% or more of your annual income is derived from gambling,

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are there really professional gamblers

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